The exhibition and accompanying book were curated and written by Grolier Club member George Fletcher. A member since 1973, Fletcher’s lifelong love of books led him to the Morgan Library as the Astor Curator of printed books and bindings, followed by a position as director of special collections at the NYPL. In 2013, Fletcher was bestowed with the title of Chevalier dans l’Ordre des Arts et des Lettres by the French government. “As the inaugural exhibition in our new gallery, this is the first that presents a survey of so many areas of French bibliophilia, going back to illuminated manuscripts to contemporary livres d’artistes,” Fletcher explained during a press tour. Expect to see sumptuous illuminated Books of Hours, miniatures by Boyvin, a letter by a distraught Thomas Jefferson to a French bookseller concerning a shipment of waterlogged books, and decorative bindings hailing from the 14th to the 21st centuries.
As to the renovation: it’s a complete overhaul. Previously, the first floor exhibition hall was awash in mauve-toned walls, light wood flooring, and track lighting (see below). Standard-issue glass cases lined the walls while the back of the hall was dominated by a faux-Palladian window, also mauve. The upper balcony, where many of the Grolier Club’s treasures are stored, was flanked by white solid-wood railings. With a client portfolio that includes renovations at places like the New England Conservatory of Music and Boston Symphony Hall, Ann Beha Associates of Boston took up the challenge to update the aesthetics of the space while also addressing conservation issues, lighting, ventilation, and sound systems.
“The Grolier Club put together a nine-member design team task force, and together we examined various issues while also keeping in mind the club’s history and stewardship of collections,” explained Ann Beha at the press preview. “Part of the preparation included hopping in a van and visiting other institutions throughout New York that had also recently undergone renovations, such as the Brooklyn Museum and the Cooper-Hewitt.” Staying true to the Grolier Club’s roots was essential. “The Club prides itself on welcoming the public to free exhibitions and various programs, and this renovation took that into consideration. This design incorporates heritage and technology, welcomes new visitors and promotes scholarship and engagement,” Beha said.
Now, the exhibition hall features custom-built Goppion glass cases lit by LED bulbs, a properly balanced ventilation system, and mahogany-stained floors and wall panels. Gone is the mauve Palladian faux paneling in favor of a multi-paneled video wall, and the wood paneling on the upper balcony has been replaced with glass, allowing visitors on the ground level to fully appreciate the impressive surroundings. Plus, the Grolier’s 60th Street townhouse is handicapped accessible. The hall feels more open and inviting, yet still suffused with the tradition and history of the space. In short: Beha seems to have hit a home run. (Professional photos are being shot Monday, so check back here for images shortly.)
The club invited members earlier this week to tour the hall before it opens to the public as well as to listen to a lecture given on Wednesday night by Carla Hayden, the current Librarian of Congress.
Just as Jean Grolier was known to share his library and its treasures with friends, the public is welcome to revel in the richness of human ingenuity and talent and the newly redesigned hall, too. As an added incentive, Mr. Fletcher will be offering free lunchtime tours of the exhibition today, December 19, and February 1, all from 1-2 p.m. No reservations needed.
Images, from top: Florent Rousseau Binding On:Printing for Kingdom, Empire, and Republic: Treasures from the Archives of the Imprimerie Nationale. Ed. H. G. Fletcher New York, The Grolier Club & Paris: Imprimerie Nationale, 2011; Matisse in a Brugalla Binding Henry de Montherlant. Pasiphaé : Chant de Minos (les Crétois) Gravures originales by Henri Matisse Paris : Martin Fabiani, 1944; Homer. Opera (Greek). Two volumes Venice: Aldus Manutius, after 31 October 1504. Both Collection of The Grolier Club and reproduced with permssion; Grolier Club Exhibition Hall pre-renovation reproduced with permission of Grolier Club; Renovation rendering reproduced with permission of Ann Beha and Grolier Club.