Category: Fine Books and Collections Friday Books Blog

Closing Soon: Exhibition on Immigration at Houghton Through August 18

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Planning a visit to Cambridge, MA, in the coming weeks? If so, be sure to check out an exhibition at Harvard’s Houghton Library addressing the very hot topics of immigration, DACA, asylum, and travel bans. Passports: Lives in Transit is in its final weeks, and library curators are inviting the public to examine passports, visas, and travel documents hailing from Harvard Library collections, as well as an installation of expired passports. Featured famous migrants include Leon Trotsky, George Balanchine, and others.

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On August 10, the library is hosting a closing celebration from 4:30pm to 7pm. First up is a panel discussion and Q & A with speakers from Harvard’s Administrative Fellowship Program. Hosted by Anne-Marie Eze, Houghton’s director of scholarly and public programs, panel participants will discuss “Global Mobility: Identity, Migration, and Passports.”

From 5:30pm to 7pm, visitors are invited to the Mama Africa Party in the Houghton Library’s Edison and Newman room. Billed as a “cross cultural celebration of humanity’s common roots,” live music will be performed by Afro-pop musician Albino Mbie, dancing performed by Angie Egea, and food provided by Suya Joint All African Cuisine.
Though free to the public, RSVPs are requested to ensure enough food and drink for all:
http://houghton75.org/?event=passports-lives-in-transit-closing-event

   

Image credits:
Albino Mbie/Courtesy of Shuhei Teshima.

Angie Egea/Courtesy of Carven Boursiquot

Shirley Graham Du Bois’ African Passports: Ghana, 1963 and Tanzania, 1972. Schlesinger Library, Radcliffe Institute, Papers of Shirley Graham Du Bois, 1865-1998, MC 476.

Women in a Golden Age of Artists’ Books

The Center for Book Arts is hosting a roundtable on the work of women book artists on May 22nd. Here’s what to expect:

Though artists’ books can arguably trace their origins back to medieval volumes like the Trѐs Riches Heures, contemporary artists’ books tend to reference William Blake as the forerunner to the genre. And since then, the field has produced masters like Dieter Roth, Andy Warhol, Ed Ruscha, and others who transform books into art objects.

The 1970s and 80s are considered by many experts as the golden age of offset printed artists’ books, and though it was a field mostly dominated by men, women were making their mark, too. A roundtable discussion being held at New York’s Center for Book Artson Tuesday May 22 will explore the work of those women creators of offset printed artists’ books, the challenges they faced, and what they hope the future holds for the next generation of printmakers. Participants include Cynthia Marsh, founder of Tennessee’s Goldsmith Press; Rebecca Michaels, a photography professor at Tyler School of Art in Philadelphia; and Philadelphia-based book artist, printmaker, and professor Patty Smith.

The panel will be moderated by the Met’s associate chief librarian of the Watson Library, Tony White, whose exhibition, Production, not Reproduction: a Chronological History of Offset Printed Artists’ Books, appeared at Yale in 2006 and at the Center for Book Arts in 2007.

Diane Dias De Fazio, a public services librarian at the NYPL and one of our featured librarians in the “Bright Young Librarians” series, has been instrumental in organizing the event. “The work of Smith, Marsh, and Michaels was featured in both iterations of that exhibition. White also served as guest editor for Volume 25 of the Journal of Artists’ Books,” Dias De Fazio said in an email recently.                                                                                          

 

“I interviewed all three women ten years ago when I was creating a genealogy of offset printers for Volume #25 of the Journal of Artists Books,” explained White. “I learned about where they discovered printing, who they studied with, and who they taught. There are a number of male offset printers who have received more recognition, but who came a generation or so later. With so many women book artists’ and printers, I want to make sure their stories are heard, especially in the contemporary book production environment.”

Though Tuesday’s panel of participants is far from complete, White believes that the women sharing their stories are representative of the experiences others have had.

“In a way, I am returning to a project I started in 2007 to gather and publish the interviews of offset printers,” explained White. “The focus of the program is on women who played important, foundational roles in the field of high speed rotary offset printing. “It is a highly technical and demanding printing process–much less forgiving that letterpress.”

“Women in a Golden Age of Artists’ Books” happens on Tuesday, May 22 at the Center for Book Arts (28 West 27th St, 3rd floor) from 6:30-7:45. RSVP to this event at rsvp@centerforbookarts.org.

Controversial California Autograph Law Amended

Change is in the air in California.
Readers of this blog may recall California’s passage of AB-1570 Collectibles: Sale of Autographed Memorabilia, which went into effect in January 2017. That law required all dealers of any autographed material worth more than five dollars to fill out a certificate of authenticity (COA) specifying date of sale, the dealer’s name and street address, and the name and address of the person from whom the autographed item was acquired if the item was not signed in the presence of a dealer. AB-1570’s goals were to prevent the distribution of forged autographs, but many booksellers felt they were swept up by a vague law with onerous requirements. Still others felt that portions of the law constituted an invasion of privacy, citing possible violations of California’s Reader Privacy Act of 2011.
Co-sponsored by the Antiquarian Booksellers’ Association of America (ABAA) and signed into law by Governor Jerry Brown on October 13, 2017, AB 228 amends the previous legislation to better address the needs of booksellers in California.
The new law excludes all books, manuscripts, correspondence, and any ephemera unrelated to sports or entertainment media from the “autographed collectibles” regulation set forth in AB-1570. Rather than provide a Certificate of Authenticity–a lengthy document requiring sellers to disclose where autographed items were purchased that many booksellers found onerous–dealers of autographed collectibles may provide an “Express Warranty” incorporated in an invoice instead. Additionally, civil penalties for failing to comply with the law have been lowered as well.
“We are thrilled,” said Susan Benne, ABAA’s executive director. “The amended law removes the unintended consequences of the previous law, while providing the protections to the consumers it was intended to. We thank the lawmakers, booksellers, organizations, and professionals who supported the effort and made this happen.” Joining the ABAA lobbying group were many ABAA members liks Brad and Jen Johnson and Laurelle Swann, as well as organizations like the Grolier Club, the Manuscript Society, and the Professional Autograph Dealers Association.
The 200 dealers descending on Pasadena for the California International Antiquarian Book Fair next month will no doubt be pleased with the changes.

Albertine Prize Needs Your Help!

Calling all American Francophiles: the Albertine Prize needs your vote! Organized by the Fifth Avenue bookstore, Albertine, and co-presented by jeweler Van Cleef & Arpels  and the Cultural Services of the French Embassy, the award recognizes American readers’ favorite French-language fiction titles translated into English and distributed in the U.S. within the preceding calendar year.

This year’s nominees are winnowed to five titles covering a range of perspectives and narrative styles; UCLA professor Alain Mabanckou’s Black Moses (Petit Piment, 2015) follows a Congoloese boy who escapes a terrifying orphanage and is raised by thieves in Pointe-Noire, and Christine Angot’s controversial story about molestation, Incest (Inceste, 1999) also makes the shortlist.

The Albertine Prize selection committee includes author and translator Lydia Davis, French literary critic and La Grande Librairie host François Busnel, and the staff at the Albertine bookstore in New York City.

Not sure which book to vote for? Albertine will host a springtime Book Battle, where five critics and professors will defend their favorite title.
Anyone can vote, just follow the link here. Ballots close May 1, 2018, with an awards ceremony on June 6. The winner will receive a $10,000 prize, to be split between author and translator. Bonne lecture!  

“Home” for the Holidays

For many of us, the next few weeks will be a flurry of holiday parties, last-minute gift runs, and the chance to see family and friends. In a bid to remember why we go through so much trouble to be with loved ones this time of year, consider picking up the third literary anthology in the Freeman’s collection entitled Home (Grove, $16). Thirty-seven writers from around the world focused on the idea of home, each bringing a new perspective and interpretation.

In the narrative nonfiction piece “Vacationland,” author Kerri Arsenault returns to her hometown of Mexico, Maine, which sits on the banks of the Androscoggin River. Now a derelict relic of a bygone era, the townspeople’s former prosperity came from toiling in the paper mill in nearby Rumford. “That’s money coming out of those smokestacks,” Arsenault’s father used to say, but there was plenty else coming out of those stacks, too–dioxin, cadmium, arsenic, mercury, and other by-products of contemporary mass-produced papermaking, slowly poisoning the surrounding environment and its inhabitants. (Read “At the Crossroads” in On Paper for a look inside the modern commercial papermaking experience.)

Read more about the idea of home over at the Fine Books Blog.

Kickstarter-Funded Biography of W.A. Dwiggins Heading to the Presses

Eagle-eyed readers may recall our story back in April about a Kickstarter-funded biography on William Addison Dwiggins, that twentieth-century book designer who coined the term “graphic design” back in the 1920s.

The inaugural project for Letterform Archive ultimately received $171,574, sailing past its fundraising goal of $50,000. As of November 21, the book was in its final proofing stage and will be on the press before the year is out. Proofing the book is no small task: over 1,000 images pepper the book, but author-designer Bruce Kennett and his team are dedicated to “producing a printed image that comes as close as the real thing,” with a secondary goal of setting a new bar for subsequent Archive publications.

Read all about the swag awaiting patient backers at the Fine Books Blog.

 

National Book Award Winners 2017

Happy after-Thanksgiving! Looking for something to read? Why not choose from the recently minted National Book Award winners. Jesmyn Ward took home the ficion award for Sing, Unburied, Sing (Scribner/Simon & Schuster). This is the second time Ward’s writing has been recognzied by the National Book Foundation; her Salvage the Bones won in 2011. Sing, Unburied, Sing explores the life if a young boy raised by his grandparents in Mississippi and how he navigates the gritty path into adulthood. Read about all the winners at the Fine Books Blog.