Yale University’s Planned Renovation of Bass Library Draws Ire from Students

University librarian Susan Gibbons has said in various interviews that the books are being moved to make more studying space available as the student body grows. “I don’t think that, as a result of this project, students are going to have less access to the books — they’re all still here on-campus,” she said in an interview with NPR’s Frankie Graziano.  “But, what they will have access to is more places to actually sit down amongst the books and do that studying.” Gibbons also said that the way students use Bass has changed with the times, citing a decrease in students checking out books for the sciences and math programs, but usage among Humanities majors has stayed the same. According to a recent Yale press release, borrowing among undergraduates has dropped from 40% of total circulation in 2008 to just 13% in 2018.  Coupled with a growing student body, university administrators feel repurposing the stacks into seating would be a better use of the space.
Gibbons acknowledged the enduring importance of books, especially in a library. Yale’s plan for the library going forward includes, as Gibbons said in the press release, “maintaining a more dynamic, up-to-date collection in Bass that will evolve with the addition of new courses and encourage students’ engagement with print books.” That engagement includes what she called a “renewed focus” on books by Yale faculty. “The collection will be smaller, but more vital and relevant.”Opened in 1971, the Bass Library last underwent a $50million-dollar interior renovation in 2007.

 

Some Yale students aren’t having it. Humanities and philosophy major Leland Strange is leading what he’s dubbed a “browse-in,” a mass check-out of books from Bass to protest the move. Fellow students worry that a denuded Bass will resemble an airport terminal rather than a library. Other students fretted that the whole point of a library is to have access to materials, whether they’re on regular rotation or have never been checked out.

 

Despite students’ efforts, Yale appears poised to move ahead with the renovation and is expected to be completed by October 1, with a “soft roll-out” planned for late August.

Magical Unicorns at Musée Cluny: Centuries of Fascination

 

Everywhere you look there seems to be some product inspired by a unicorn: purple frappuccinos, table lamps, there’s even a shop (in Brooklyn, naturally,) that specializes in unicorn horns proudly crafted in the USA. Privately held companies valued at over a billion dollars are known as “unicorns” to represent the statistical rarity of such entities. (Airbnb and SpaceX are two examples.) Yet, despite what seems to be rampant unicorn fever, it’s nothing new; the ancient Indus carved unicorns onto seals, and the beasts appear in the Physiologus, an ancient Greek bestiary, which ascribes curative powers to unicorn horns. By the Middle Ages, unicorns came to symbolize the life and trials of Jesus Christ.

 

Far from the playful, purple-and-pink hued creature we often think of today, historical unicorns were squat, compact, notoriously ferocious creatures that could only be captured by virgins. Unicorn horns were believed to be powerful aphrodisiacs as well as effective teeth whiteners, leading to the robust sale of ground-up narwhal horns passed off as genuine unicorn. Wealthy families and merchants often commissioned unicorn images for their coats of arms and emblems to suggest magnificence and power.

 

Now, Magical Unicorns, the latest exhibition on view at the Musée Cluny in Paris offers a comprehensive look at how unicorns have been depicted over the past 500 years. Engravings, sculptures, illuminated manuscripts, and other items illustrate the allegorical significance of these mythical beasts and humankind’s enduring fascination with them.
The highlight of the show is a set of six tapestries entitled The Lady and the Unicorn, part of the Cluny’s permanent collection. Woven around 1500, the tapestries are believed to have been designed by Jean Bourdichon, offical court painter to four French Kings and the illuminator responsible for the sumptuous Book of Hours created for Queen Anne of Brittany. Showcased in a dimly-lit rotunda to preserve the fabrics, the scarlet 12-feet by 9-feet silk and wool tapestries are complex visual meditations on the meaning of life, filled with allegorical iconography.
To quote Sebastian from Shakespeare’s The Tempest: “Now I will believe that there are unicorns.”
Magical Unicorns runs now through February 25.


Images (Top) Aquamanile : Licorne Alliage cuivreux, vers 1400 Cl. 2136 © RMN-Grand Palais (musée de Cluny – musée national du Moyen-Âge) / G. Blot. (Middle) Livre d’heures dit de Yolande d’Aragon: «la Vierge Marie et la chasse à la licorne» Enluminure sur parchemin, vers 1460 – 1470 Ms 22 (Rés. ms 2) © Bibliothèque Méjanes, Aix-en-Provence. (Bottom) Graduel de Sainte-Rictrude de Marchiennes: «David menacé par le lion et la licorne» Parchemin, 1548 ms 112, fol. 88 Bibliothèque municipale de Douai, © IRHT-CNRS. Reproduced with permission from the Musee Cluny.

Westsider Rare Books to Close After 35 Years Unless a GoFundMe Campaign Comes Through – The Fine Books Blog

Source: Westsider Rare Books to Close After 35 Years Unless a GoFundMe Campaign Comes Through – The Fine Books Blog

An American Master: Ursula Le Guin

It’s been almost exactly one year since her death, but Ursula Le Guin remains a literary powerhouse. Check out Elisa Shoenberger’s look at the enduring influence of an American master over at the Book and Paper Fair Blog: https://bit.ly/2RtVzBc

 

Eye Balm: 10 Bookish Insta Feeds to Put on Your Radar

Ah, January: that month touted as the time to refresh everything from one’s diet and wellness to home decor. Why not apply the same mentality to your daily Insta scroll with some new bibliocentric feeds.

Special collections libraries, rare booksellers and collectors have embraced Instagram as an ideal platform to virtually share their treasures with the world. Fellow FB&C writer Nate Pedersen wrote the inaugural “rare Books on Instagram” post back in 2016, profiling institutional accounts like those of the British Library (@britishlibrary), the American Antiquarian Society (@americanantiquarian), and others. Follow-up posts looked at librarian accounts and collector feeds. Keeping with that theme, below, in no particular order, are ten noteworthy institutional Instagram accounts that excel at showcasing rare books, manuscripts, and other works on paper.

 

Don’t have an Instagram account? No problem: All of these accounts are freely accessible to anyone with an internet connection.

La Bibliothèque nationale France (@labnf)

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The Barr Smith Library at the University of Adelaide (@uofaspecialcollections)

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The New York Public Library (@nypl)

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Musée de Cluny (@museecluny)

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The Harry Ransom Center (@ransomcenter)

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The Emily Dickinson Museum (@emilydickinson.museum)

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The Printing Museum (@theprintingmuseum)

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The HuntingtonLibrary (@thehuntingtonlibrary)

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The Johns Hopkins University (@jhuspecialcollections)

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The Alaska Digital Newspaper Project (@alaskahistoricalnewspapers)

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Grolier Club Reopens Renovated Exhibition Hall with French Book Arts Exhibit

Today, the country’s oldest and largest bibliophilic society, the New York-based Grolier Club, will unveil the fruits of a three-and-a-half-year, $5-million renovation of the organization’s entire first floor and exhibition hall with, appropriately, a show highlighting the club’s Francophile roots. French Book Arts: Manuscripts, Books, Bindings, Prints, and Documents, 12th-21st Century includes nearly one hundred items pulled from the Grolier’s rich trove of French books and illuminated manuscripts. Also in the show are six items that once hailed from the collection of the “Prince of Bibliophiles” and club namesake, Jean Grolier (1489-1565).

Today, the country’s oldest and largest bibliophilic society, the New York-based Grolier Club, will unveil the fruits of a three-and-a-half-year, $5-million renovation of the organization’s entire first floor and exhibition hall with, appropriately, a show highlighting the club’s Francophile roots. French Book Arts: Manuscripts, Books, Bindings, Prints, and Documents, 12th-21st Century includes nearly one hundred items pulled from the Grolier’s rich trove of French books and illuminated manuscripts. Also in the show are six items that once hailed from the collection of the “Prince of Bibliophiles” and club namesake, Jean Grolier (1489-1565).

 

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The exhibition and accompanying book were curated and written by Grolier Club member George Fletcher. A member since 1973, Fletcher’s lifelong love of books led him to the Morgan Library as the Astor Curator of printed books and bindings, followed by a position as director of special collections at the NYPL. In 2013, Fletcher was bestowed with the title of Chevalier dans l’Ordre des Arts et des Lettres by the French government. “As the inaugural exhibition in our new gallery, this is the first that presents a survey of so many areas of French bibliophilia, going back to illuminated manuscripts to contemporary livres d’artistes,” Fletcher explained during a press tour. Expect to see sumptuous illuminated Books of Hours, miniatures by Boyvin, a letter by a distraught Thomas Jefferson to a French bookseller concerning a shipment of waterlogged books, and decorative bindings hailing from the 14th to the 21st centuries.
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As to the renovation: it’s a complete overhaul. Previously, the first floor exhibition hall was awash in mauve-toned walls, light wood flooring, and track lighting (see below). Standard-issue glass cases lined the walls while the back of the hall was dominated by a faux-Palladian window, also mauve. The upper balcony, where many of the Grolier Club’s treasures are stored, was flanked by white solid-wood railings. With a client portfolio that includes renovations at places like the New England Conservatory of Music and Boston Symphony Hall, Ann Beha Associates of Boston took up the challenge to update the aesthetics of the space while also addressing conservation issues, lighting, ventilation, and sound systems.

 

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“The Grolier Club put together a nine-member design team task force, and together we examined various issues while also keeping in mind the club’s history and stewardship of collections,” explained Ann Beha at the press preview. “Part of the preparation included hopping in a van and visiting other institutions throughout New York that had also recently undergone renovations, such as the Brooklyn Museum and the Cooper-Hewitt.” Staying true to the Grolier Club’s roots was essential. “The Club prides itself on welcoming the public to free exhibitions and various programs, and this renovation took that into consideration. This design incorporates heritage and technology, welcomes new visitors and promotes scholarship and engagement,” Beha said.

 

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Now, the exhibition hall features custom-built Goppion glass cases lit by LED bulbs, a properly balanced ventilation system, and mahogany-stained floors and wall panels. Gone is the mauve Palladian faux paneling in favor of a multi-paneled video wall, and the wood paneling on the upper balcony has been replaced with glass, allowing visitors on the ground level to fully appreciate the impressive surroundings. Plus, the Grolier’s 60th Street townhouse is handicapped accessible. The hall feels more open and inviting, yet still suffused with the tradition and history of the space. In short: Beha seems to have hit a home run. (Professional photos are being shot Monday, so check back here for images shortly.)

 

The club invited members earlier this week to tour the hall before it opens to the public as well as to listen to a lecture given on Wednesday night by Carla Hayden, the current Librarian of Congress.
Just as Jean Grolier was known to share his library and its treasures with friends, the public is welcome to revel in the richness of human ingenuity and talent and the newly redesigned hall, too. As an added incentive, Mr. Fletcher will be offering free lunchtime tours of the exhibition today, December 19, and February 1, all from 1-2 p.m. No reservations needed.

 

Images, from top: Florent Rousseau Binding On:Printing for Kingdom, Empire, and Republic: Treasures from the Archives of the Imprimerie Nationale. Ed. H. G. Fletcher New York, The Grolier Club & Paris: Imprimerie Nationale, 2011; Matisse in a Brugalla Binding Henry de Montherlant. Pasiphaé : Chant de Minos (les Crétois) Gravures originales by Henri Matisse Paris : Martin Fabiani, 1944; Homer. Opera (Greek). Two volumes Venice: Aldus Manutius, after 31 October 1504. Both Collection of The Grolier Club and reproduced with permssion; Grolier Club Exhibition Hall pre-renovation reproduced with permission of Grolier Club; Renovation rendering reproduced with permission of Ann Beha and Grolier Club. 

The Holiday Round-Up: Books for All!

The #Holiday Round-Up: Books for All! Our top picks for the #bibliophiles in your life. @foliosociety @nancyrosep @hudsontalbott
@puffinbooks #puffinplated @PeachtreePub @bethanwoolvin @simonschuster

Yes, ’tis the season for frantic holiday shopping, unless you’re one of the rarefied people who check everyone off your list during those Christmas in July sales. If you’re more of a last-minute shopper, there’s still time to ace your gift-giving game this holiday season with a carefully selected title or two.  Below, our top picks for the bibliophile in your life. Get ’em while the gettin’s good!

The Folio Society Black Beauty cover shot

Black Beauty, by Anna Sewell, illustrations by Annette Hamley-Jenkins; Folio Society, $53.95, 224 pages.

Originally published in 1877, Sewell’s bestselling tale championing fair treatment for working horses in Victorian-era England gets the sumptuous Folio treatment with lush, full color illustrations by Annette Hamley-Jenkins and an introduction by War Horse author Sir Michael Morpurgo. This edition of Black Beauty comes in a handsome blue slipcase printed with horses galloping across in silhouette. This is the gift that keeps on giving: a timeless story, beautifully presented.

Please note: Folio Society’s order deadlines to make Christmas delivery are December 8 for standard shipping and December 14 for express.

(Images copyright 2018 Annette Hamley-Jenkins and reproduced with permission from Folio Society. )

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Charles Dickens’s A Christmas Carol: The Classic Novel with Recipes for Your Holiday Menu by: Giada de Laurentis, Ina Garten, Martha Stewart, and Trisha Yearwood; Puffin Plated, $25.00, 168 pages.

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Is there any better combination than a good book and a good meal? Perhaps a frothy brew, but I digress. Puffin Plated, a new endeavor launched this fall by Penguin Random House, recently released A Christmas Carol by Charles Dickens, unabridged and accompanied by mouth-watering photographs (by Tisha Cherry and Vega Hernando) of fruitcakes, gingerbread, and other holiday treats.  Delectable recipes come courtesy of culinary giants like Ina Garten and Martha Stewart. (Looking for a non-denominational gift? Pride and Prejudice also got the Puffin Plated treatment and is filled with sugary sweet confections.)

 

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(Images reproduced with permission from Penguin Random House.)

Picturing America: Thomas Cole and the Birth of American Art, by Hudson Talbott; Nancy Paulsen Books, 32 pages, ages 4-7.

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“The painter of American scenery has, indeed, privileges superior to any other. All nature here is new to art,” wrote Thomas Cole (1801-1848), the father of the Hudson River School of painting and the patriarch of the young country’s first art movement. Here, author-illustrator Hudson Talbott introduces readers to a man who was at once an immigrant, an artist, and an environmentalist by weaving elements from some of Cole’s most iconic paintings into the book. A perfect gift for budding naturalists with an artistic streak.

 

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(Images copyright 2018 Hudson Talbott and reproduced with permission from Penguin Random House.)

Hansel & Gretel, by Bethan Woolvin; Peachtree Publishers, $16.95, 32 pages, ages 4-8.

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Bethan Woollvin is back with another twisted fairy tale. Now, the author of Little Red and Rapunzel has concocted a revision of the Grimm brother’s classic story of two siblings forced to outsmart a cannibalistic old witch. As in her previous adaptations, Woollvin’s Hansel & Gretel takes a surprise turn, with Hansel and Gretel as sassy brats and the witch (named Willow) cast in a more benevolent role. To be enjoyed fireside with a heaping plateful of tasty gingerbread cookies.

 

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(Images copyright 2018 Bethan Woollvin. Reproduced with permission from Peachtree Publishers.)

All is Merry and Bright, by Jeffrey Burton, illustrated by Don Clark; Little Simon, $24.99, 26 pages, ages 0-4.

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Get the littlest revelers into the holiday spirit by offering them this oversize board book by Jeffrey Burton and Don Clark. The retro volume, complete with sparkly foil and embossing on every page is a joyous celebration of Christmas. Sensory overload in the best sense awaits the tiny tots who find this book tucked under their tree this year.

 

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(Text copyright 2018 Jeffrey Burton. Illustrations copyright 2018 Don Clark. Reproduced with permission from Simon & Schuster.)