Beatrix Potter’s beloved Lake District is also beloved by tourists–perhaps a little too much. How to preserve this delicate countryside is pitting the District’s Park Authority against locals.
Jennifer Morla is a legend in her own time: for forty years, her shadow has loomed large over the world of graphic design, and now she is discussing her work in a wide-ranging monograph recently published by the San Francisco-based nonprofit literacy center, Letterform Archive.
Bird Count, by Susan Edwards Richmond, illustrated by Stephanie Fizer Coleman, Peachtree Publishers; $17.95, ages 4-8. October 2019. Fall birdwatching is more challenging now that mating season is over–the bright plumage of some birds gives way to more muted tones–but scouting them out is excellent preparation for the annual Audubon Christmas Bird Count. In Susan
Rehabilitation and redemption are possible, and in the right homes, both animals and humans can forge lifelong bonds of love and friendship, as masterfully told in Artemis Fowl series author Eoin Colfer’s latest, The Dog Who Lost His Bark (Candlewick, $16.99, 144 pp, ages 7-10). Here, we meet a young pup whose lot in life is filled with sadness; sold
Charlotte Brontë Before Jane Eyre @DisneyBooks @glynnisfawkes @cartoonstudies #comics
HOBGOBLIN AND THE SEVEN STINKERS OF RANCIDIA by Kyle Sullivan (Hazy Dell Press. 168 pp. $15.95). Ages 6-8. Are you somebody that likes fart jokes and happy endings? If so, then this is the book for you! Hobgoblin and the Seven Stinkers of Rancidia, the first book of the Hazy Fables series, is the
Martha’s Vineyard’s reputation as a haven for writers and poets is well-documented–Dorothy West, Art Buchwald, David McCullough, and Judy Blume represent a few who have called the island home–and since 2005 the Martha’s Vineyard Book Festival has brought authors from far and wide to celebrate reading and writing. Originally conceived as a biannual event,
© MAIRA KALMAN, COURTESY OF JULIE SAUL GALLERY Kalman’s illustration for Stay Up Late. Author-illustrator Maira Kalman’s bibliography is an impressive one. In addition to creating whimsical covers for the New Yorker, Kalman claims dozens of books to her credit: she debuted in 1985 with the picture book debut, Stay Up Late, and since then titles have included instant
After the 2013 publication of Nick Basbanes’s On Paper, book artist Tim Elycalled the author and requested the unbound sheets of the book, just as they appeared off the press. Basbanes’s editor kindly obliged, and off On Paperwent to Washington State to Ely’s art studio where he forges one-of-a-kind, handmade books that have been compared to illuminated manuscripts for their
“Pure praises do not provide a comfortable existence; it is necessary to add something solid, and the best way to praise is to praise with cash-in-hand.” (Molière, The Middle Class Gentleman, Act I) The second catalogue to appear from Librairie Métamorphoses is a tour de force. No surprise, considering that the Parisian firm was founded by Michel