Whether or not the name of A.N. Devers’s bookstore The Second Shelf plays on French existentialist Simone de Beauvoir’s landmark treatise on feminist philosophy The Second Sex, her endeavor certainly stems from a similar desire for equality—in this case, to balance the bookshelves for men and women writers.
Readers may recall a story posted back in December about the Albertine Prize, an annual award co-presented by jeweler Van Cleef & Arpels and the Cultural Services of the French Embassy that recognizes American readers’ favorite contemporary French fiction translated into English. The reading public was invited to vote at Albertine’s website, and pretty much stuff the ballot box with their favorites.
This year’s five nominees included:
Incest by Christine Angot, trans. by Tess Lewis, Archipelago Books Compass by Mathias Enard, trans. by Charlotte Mandel, New Directions The End of Eddy by Edouard Louis, trans. by Michael Lucey, Farrar, Strauss & Giroux Black Moses by Alain Mabanckou, trans. by Helen Stevenson, The New Press Not One Day by Anne Garréta, trans. by Emma Ramadan, Deep Vellum
Interest in the prize was drummed up on April 10 when LitHub’s editor-in-chief Jonny Diamond, The New Yorker’s H.C. Wilentz, Albertine’s director Tom Roberge, and others shared their favorites.
The winner of the $10,000 prize was finally revealed to a packed house on Wednesday, June 6, with French literary critic and la Grande Librarie host François Busnel and translator Lydia Davis. The grand prize went to Anne Garréta’s Not One Day (Deep Vellum, 2017) translated by Emma Ramadan. Garréta’s twelve vignettes exploring memory and desire was originally published as Pas Un Jour in 2002 (éditions Grasset) and awarded the prestigious Prix Medicis. The winnings are split between author and translator and assure the book greater exposure to an English-speaking audience. Congratulations to the winners!
Need a literary justification to visit the Caribbean this spring? Consider the NGC Bocas Lit Festival, taking place in downtown Port of Spain in Trinidad and Tobago. Billed as the region’s premier literature festival, the Lit Fest is devoted to developing and promoting Caribbean authors by hosting five lively days of author panels, workshops, film screenings, and performances. Held at the National Library and Old Fire Station, the festival will run from April 25-29 and is free to the public.
In addition, NGC organizers will be announcing the 2018 prizes for Caribbean literature on April 28. Launched in 2011, these annual awards recognize the previous year’s most notable additions to the Caribbean canon. Last year’s winners included Jamaican poet Safiya Sinclair’s Cannibal(University of Nebraska Press), Augustownby Kei Miller (Weidenfeld and Nicolson) took home the top prize for fiction, and Virtual Glimpses into the Past/A Walk Back in Time: Snapshots of the History of Trinidad and Tobago by Angelo Bissessarsingh (Queen Bishop Publishing) won for best non-fiction work.
The overall winner receives an award of $10,000, while category winners each receive a cash prize of $3,000. Eligible submissions must have been first published in English in 2017 and written by a single living author who either holds Caribbean citizenship or was born in the Caribbean. (Though Francophone authors hailing from Haiti, Guadeloupe, and Martinique aren’t necessarily eligible unless they write in English, their work can be considered for the Prix littéraire des Caraϊbes et du Tout-Monde and the other prestigious French awards like the Prix Goncourt.)
The NGC Lit Fest goals are to both celebrate the Caribbean’s literary achievements while also maintaining the region’s literacy rates, which hover around 97 to 99 percent of the overall population. Haiti remains the exception, where the literacy rate is near 60 percent, despite a rich two-hundred-year history of producing talented writers like Toussaint Louverture, Jean Price-Mars, Dany Laferriere, Jacques Roumain, and Marie-Celie Agnant.
Need another reason to book a flight? Check out this interview with Trinidad and Tobago native Tracey Baptiste, author of The Jumbies YAseries. She spoke with my daughter, Abgail, in late January about Caribbean folklore and how it inspires her books.
(photo: Barbara Basbanes Richter)
This story first appeared on the Fine Books & Collections blog on Friday, March 2, 2018.
For many of us, the next few weeks will be a flurry of holiday parties, last-minute gift runs, and the chance to see family and friends. In a bid to remember why we go through so much trouble to be with loved ones this time of year, consider picking up the third literary anthology in the Freeman’s collection entitled Home(Grove, $16). Thirty-seven writers from around the world focused on the idea of home, each bringing a new perspective and interpretation.
In the narrative nonfiction piece “Vacationland,” author Kerri Arsenault returns to her hometown of Mexico, Maine, which sits on the banks of the Androscoggin River. Now a derelict relic of a bygone era, the townspeople’s former prosperity came from toiling in the paper mill in nearby Rumford. “That’s money coming out of those smokestacks,” Arsenault’s father used to say, but there was plenty else coming out of those stacks, too–dioxin, cadmium, arsenic, mercury, and other by-products of contemporary mass-produced papermaking, slowly poisoning the surrounding environment and its inhabitants. (Read “At the Crossroads” in On Paper for a look inside the modern commercial papermaking experience.)
The year-end fundraiser to keep Booklyn in Brooklyn is nearing its final days. Founded in 1999, the non-profit artists and bookmakers association has promoted, documented, and distributed artists’ books to the general public and educational institutions, dedicated to education through the exhibition and distribution of art books and prints. (For a thorough examination, read A.N. Devers’piece about the nonprofit here, from the Fine Books & Collections Spring 2015 issue.)
Having long ago grown out of its 600-square-foot studio in Greenpoint, the organization has been on the hunt for a new home, and was recently invited to take up residence at ArtBuilt Brooklyn, a 50,000-square-foot art community at the Brooklyn Army Terminal. There, Booklyn will have a production studio, art gallery, event space, and an office to continue producing artists’ books.
To fund the move, Booklyn went to Kickstarter. Read the rest of the story on the Fine Books Blog. Then see all the goodies available to donors here.
On November 11th, a museum opened in Abu Dhabi. And as is fitting for a city known for its glittering skyscrapers and luxury accommodations, it wasn’t just any museum. A collaboration with the Louvre in Paris, the Louvre Abu Dhabiis being billed as a new culture hub for the Middle East.