Major Used Book Sale Happening in Newtown, CT, This Weekend

Buyers_2_-_1.jpgA major used book sale is happening this weekend in Newtown, CT, at the 43rd annual C.H Booth Book Sale taking place at the Reed Intermediate School on 3 Trades Lane from July 7-11.
Organized and hosted by the Friends of the C.H. Booth Library, all proceeds from the sale go towards enhancing the library’s current collections, support library services, and fund various adult and children’s literacy programs.
Collectors of Beat Generation writers would do well to to set their alarms for opening day: This year’s sale includes a selection of first editions by authors like William Burroughs, Allen Ginsberg, and Jack Kerouac, many of which hail from the estate of a local book collector. A very good copy of Kerouac’s 1965 semi-autobiographical Desolation Angels can be had for $75, while a good signed first edition, first printing of Burroughs’ The Ticket that Exploded is available for $500.
Francophiles might be tempted by a 13-volume set of J.J. Rousseau’s Works, translated in English and published in 1767. The entire lot is priced at $1,000.
The sale also includes an assortment of 19th-century calendar books, signed children’s books by the likes of Tasha Tudor and Steven Kellogg, puzzles, and other board games. Students might even find a couple of textbooks for the fall.
In short, the C.H. Booth Friends Sale has something for nearly everyone and at prices that can’t be beat.

 

Numbered admission tickets become available on July 7 at 7am. There is a $5 admission fee on Saturday only. Get there early–we hear the line forms quickly.
Further questions, including driving directions and parking, can be answered at the Friends FAQ page. Happy Hunting!

 

Image via C.H. Booth Book Sale

This story originally appeared on the Fine Books Blog on July 6, 2018

July 4, 1776 Arrest Warrant Heads to Auction

Just in time for Independence Day, Yonkers, New York-based auction house Cohasco is offering a piece of history dating from the early days of the founding of the United States. “According to the Library of Congress, about seventeen documents exist with dates of July 4, 1776, most relating to or signed by George Washington,” said Cohasco owner Bob Snyder. “We have what we believe is one of the earliest known documents of the modern United States [dated July 4, 1776] that names a specific African-American.” Perhaps of equal interest is that the item offers a glimpse of race relations in the United States over two hundred years ago.

In something of an ironic coincidence that this arrest warrant bears the same official date Americans celebrate independence, a man named Cuffee Dole is accused of stealing “one Eight Dollar Bill of the Continental Emission” on March 31, 1776, from a soldier near George Washington’s Cambridge headquarters. Ultimately, the paper trail runs cold as to what happened next in the case of Cuffee Dole, but historians believe the charges were dropped.
Who then, was Cuffee Dole? Here is where the story gets interesting. Born free in Boston in 1739, Dole was sold into slavery as a three-year-old by his nurse for $40 to Captain Dole of Gerogetown. Dole lived with the captain and his family until his early twenties. Then, according to local lore, Dole’s duplicitous nurse felt remorse and summoned Dole to her deathbed where she confessed to selling him into slavery as a child. Dole bought his freedom in 1772 and he lived thereafter as a free man, working on farms and performing other work in and around Boston. Dole even enlisted for two tours of duty with the Continental Army. After the war, Dole purchased twelve acres of land in Georgetown, MA, for $650, where he lived until his death in 1816. In his will, Dole requested that he be given a decent burial, but the local deacons were divided on whether he should be buried in the church graveyard next to white congregants. The deacons agreed that Dole’s remains could be interred at the church where he had prayed daily for years, but on the condition that his stone be set in the back of the graveyard. Today the stone bears an epitaph that reads, in part, White man turn not away in disgust. Thou art my brother,
like me akin to earth and worms.”

The warrant, signed by Justice of the Peace Aaron Wood, is in good condition with some staining and edge chipping. Price estimates are available from Cohasco upon request.
Now through July 24, this and over 400 other items are up for auction. Cohasco doesn’t accept online budding, so interested parties must either call in their bids 1-914-476-8500 or email info@cohascodpc.com.


Image courtesy of Cohasco. This story originally appeared on the Fine Books & Collections Blog on June 22, 2018.

Announcing the Winner of the 2018 Albertine Prize

Readers may recall a story posted back in December about the Albertine Prize, an annual award co-presented by jeweler Van Cleef & Arpels and the Cultural Services of the French Embassy that recognizes American readers’ favorite contemporary French fiction translated into English. The reading public was invited to vote at Albertine’s website, and pretty much stuff the ballot box with their favorites.
This year’s five nominees included:

 

Incest by Christine Angot, trans. by Tess Lewis, Archipelago Books
Compass by Mathias Enard, trans. by Charlotte Mandel, New Directions
The End of Eddy by Edouard Louis, trans. by Michael Lucey, Farrar, Strauss & Giroux
Black Moses by Alain Mabanckou, trans. by Helen Stevenson, The New Press
Not One Day by Anne Garréta, trans. by Emma Ramadan, Deep Vellum
Interest in the prize was drummed up on April 10 when LitHub’s editor-in-chief Jonny Diamond, The New Yorker’s H.C. Wilentz, Albertine’s director Tom Roberge, and others shared their favorites.
The winner of the $10,000 prize was finally revealed to a packed house on Wednesday, June 6, with French literary critic and la Grande Librarie host François Busnel and translator Lydia Davis. The grand prize went to Anne Garréta’s Not One Day (Deep Vellum, 2017) translated by Emma Ramadan. Garréta’s twelve vignettes exploring memory and desire was originally published as Pas Un Jour in 2002 (éditions Grasset) and awarded the prestigious Prix Medicis. The winnings are split between author and translator and assure the book greater exposure to an English-speaking audience. Congratulations to the winners!

 

Photo courtesy of the French Embassy of New York

Women in a Golden Age of Artists’ Books

The Center for Book Arts is hosting a roundtable on the work of women book artists on May 22nd. Here’s what to expect:

Though artists’ books can arguably trace their origins back to medieval volumes like the Trѐs Riches Heures, contemporary artists’ books tend to reference William Blake as the forerunner to the genre. And since then, the field has produced masters like Dieter Roth, Andy Warhol, Ed Ruscha, and others who transform books into art objects.

The 1970s and 80s are considered by many experts as the golden age of offset printed artists’ books, and though it was a field mostly dominated by men, women were making their mark, too. A roundtable discussion being held at New York’s Center for Book Artson Tuesday May 22 will explore the work of those women creators of offset printed artists’ books, the challenges they faced, and what they hope the future holds for the next generation of printmakers. Participants include Cynthia Marsh, founder of Tennessee’s Goldsmith Press; Rebecca Michaels, a photography professor at Tyler School of Art in Philadelphia; and Philadelphia-based book artist, printmaker, and professor Patty Smith.

The panel will be moderated by the Met’s associate chief librarian of the Watson Library, Tony White, whose exhibition, Production, not Reproduction: a Chronological History of Offset Printed Artists’ Books, appeared at Yale in 2006 and at the Center for Book Arts in 2007.

Diane Dias De Fazio, a public services librarian at the NYPL and one of our featured librarians in the “Bright Young Librarians” series, has been instrumental in organizing the event. “The work of Smith, Marsh, and Michaels was featured in both iterations of that exhibition. White also served as guest editor for Volume 25 of the Journal of Artists’ Books,” Dias De Fazio said in an email recently.                                                                                          

 

“I interviewed all three women ten years ago when I was creating a genealogy of offset printers for Volume #25 of the Journal of Artists Books,” explained White. “I learned about where they discovered printing, who they studied with, and who they taught. There are a number of male offset printers who have received more recognition, but who came a generation or so later. With so many women book artists’ and printers, I want to make sure their stories are heard, especially in the contemporary book production environment.”

Though Tuesday’s panel of participants is far from complete, White believes that the women sharing their stories are representative of the experiences others have had.

“In a way, I am returning to a project I started in 2007 to gather and publish the interviews of offset printers,” explained White. “The focus of the program is on women who played important, foundational roles in the field of high speed rotary offset printing. “It is a highly technical and demanding printing process–much less forgiving that letterpress.”

“Women in a Golden Age of Artists’ Books” happens on Tuesday, May 22 at the Center for Book Arts (28 West 27th St, 3rd floor) from 6:30-7:45. RSVP to this event at rsvp@centerforbookarts.org.

Albertine Prize Needs Your Help!

Calling all American Francophiles: the Albertine Prize needs your vote! Organized by the Fifth Avenue bookstore, Albertine, and co-presented by jeweler Van Cleef & Arpels  and the Cultural Services of the French Embassy, the award recognizes American readers’ favorite French-language fiction titles translated into English and distributed in the U.S. within the preceding calendar year.

This year’s nominees are winnowed to five titles covering a range of perspectives and narrative styles; UCLA professor Alain Mabanckou’s Black Moses (Petit Piment, 2015) follows a Congoloese boy who escapes a terrifying orphanage and is raised by thieves in Pointe-Noire, and Christine Angot’s controversial story about molestation, Incest (Inceste, 1999) also makes the shortlist.

The Albertine Prize selection committee includes author and translator Lydia Davis, French literary critic and La Grande Librairie host François Busnel, and the staff at the Albertine bookstore in New York City.

Not sure which book to vote for? Albertine will host a springtime Book Battle, where five critics and professors will defend their favorite title.
Anyone can vote, just follow the link here. Ballots close May 1, 2018, with an awards ceremony on June 6. The winner will receive a $10,000 prize, to be split between author and translator. Bonne lecture!  

Get into the Giving Mood by Donating to Booklyn’s Kickstarter

The year-end fundraiser to keep Booklyn in Brooklyn is nearing its final days. Founded in 1999, the non-profit artists and bookmakers association has promoted, documented, and distributed artists’ books to the general public and educational institutions, dedicated to education through the exhibition and distribution of art books and prints. (For a thorough examination, read A.N. Devers’ piece about the nonprofit here, from the Fine Books & Collections Spring 2015 issue.)
Having long ago grown out of its 600-square-foot studio in Greenpoint, the organization has been on the hunt for a new home, and was recently invited to take up residence at ArtBuilt Brooklyn, a 50,000-square-foot art community at the Brooklyn Army Terminal. There, Booklyn will have a production studio, art gallery, event space, and an office to continue producing artists’ books.

To fund the move, Booklyn went to Kickstarter. Read the rest of the story on the Fine Books Blog. Then see all the goodies available to donors here.

 

images courtesy of Booklyn

Kickstarter-Funded Biography of W.A. Dwiggins Heading to the Presses

Eagle-eyed readers may recall our story back in April about a Kickstarter-funded biography on William Addison Dwiggins, that twentieth-century book designer who coined the term “graphic design” back in the 1920s.

The inaugural project for Letterform Archive ultimately received $171,574, sailing past its fundraising goal of $50,000. As of November 21, the book was in its final proofing stage and will be on the press before the year is out. Proofing the book is no small task: over 1,000 images pepper the book, but author-designer Bruce Kennett and his team are dedicated to “producing a printed image that comes as close as the real thing,” with a secondary goal of setting a new bar for subsequent Archive publications.

Read all about the swag awaiting patient backers at the Fine Books Blog.