The New York Metro Transit Authority (MTA) is upping the MetroCard’s style cachet in 2017, even in the wake of the recent announcement that the transit authority will be phasing out the physical payment system in near future. For now, some MetroCards will be turned into modern art. Read more at Art&Object.
A few months ago, a curator at the Honolulu Museum of Art stumbled upon a rare 19th century manual on Japanese art that he didn’t even know existed in the museum archives. Stephen Salel had been searching for materials for an exhibition devoted to female Japanese manga artists. Recognized today as a sub genre of graphic novels, manga as an art form dates to the nineteenth century, and Salel was looking specifically for work created by Katsushika Oi (1800-1866), considered by many experts to be the first female manga artist. If the name sounds familiar, that’s probably because she was the daughter of Katsushika Hokusai (1760-1849), whose 1823 woodblock print The Great Wave Off Kanagawa has been reproduced countless times around the world. More at the Fine Books Blog.
I am now writing regular features for the recently launched Art & Object, a website dedicated to covering the art world and the secondary art market. Current stories include a look at the Houston arts scene post-Harvey, a preview of the forthcoming Salon Art + Design Show in Manhattan, and a lot more. Please check it out, and check back often!
Put down the Halloween candy and grab one of these literary treats instead:
See What I have Done, by Sarah Schmidt, Grove Atlantic; $26.00, 324 pages.
Australian library coordinator-turned-novelist makes her chilling debut with a reinterpretation of the infamous story of Lizzie Borden, the Fall River, Massachusetts, native who bludgeoned her father and stepmother to death with an axe 125 years ago this past August. Borden was tried and acquitted of the crimes, and officially, the murders remain unsolved, but Schmidt’s reexamination of the events through multiple narrators offers gruesome, cruel new perspectives on hidden family secrets.
A Bold and Dangerous Family: The Remarkable Story of an Italian Mother, her Two Sons, and their Fight against Fascism, by Caroline Moorehead, Harper; $27.99, 488 pages.
National Book Critics Circle Award for Nonfiction finalist Caroline Moorehead (Human Cargo) takes on another topic examining courage under oppression. Here, we meet the Rossellis, an aristocratic family opposed to fascism and Benito Mussolini’s rise to power before World War II. Using family letters and secret police files, Moorehead recounts how the Rosselli’s dedicated their lives and resources to rebelling against Mussolini’s reign of terror, and how their courage continued to inspire opposition during the dark days of war. A vivid portrait of a country’s decent into darkness and of those who defied it.
In the Darkness of the Night, by Bruno Munari, Princeton Architectural Press; $35.00, 60 pages.
Originally published in Italy in 1956 under the title Nella notte buia, this little masterpiece uses a full arsenal of book arts techniques to convey space and time. Rather than relying exclusively on text, author Bruno Munari (1907-1998) relies instead on symphony of words and images to convey the story. Thick paper cutouts give way to fragile transparent sheets, making for a wholly unexpected and holistic reading experience. Perfect for collectors and paper engineers alike.
Abigail’s back with a look at another picture book starring three sister guinea pigs who learn about acquisition overload and sibling rivalry.
Philomena’s New Glasses, by Brenna Maloney, Viking; $16.99, 32 pages, ages 2-6.
Philomena the guinea pig has fuzzy vision, so she gets new glasses. But her sister Audrey thinks Philomena looks cool, so she gets glasses, too. Soon, their littlest sister, Nora Jane, gets worried–if her sisters are wearing glasses, shouldn’t she? Then, all three sisters want new purses and dresses, and instead of being happy with their things, they’re all very miserable. The author’s photographs of real guinea pigs wearing dresses are very funny, and show that it’s important for everyone–even guinea pigs–to just be themselves. Don’t skip the end pages for “deleted scenes!”
image credit: Brenna Maloney. Used with permission from Viking Books
Catalan painter, sculptor, and ceramicist Joan Miró (1893-1983) is perhaps best known for his Surrealist sculptures and activity with the anarchic Dada art movement. Miró catapulted into the art world stratosphere, ending up on many contemporary art collectors’ wishlists.
In 1958, the artist spoke to Parisian critic Yvon Taillandier about his life and work, and that conversation was published in a French limited edition of seventy-five copies in 1964. Now, Princeton Architectural Press is releasing a new English translation of the book on October 10. Read all about it on the Fine Books Blog .
Endpapers are making a comeback. Read our Q&A with master marbler Jemma Lewis–on the Fine Books Blog.
Endpaper art is enjoying a renaissance of sorts. Back in 2012, Rebecca Barry profiled British professional marbler Jemma Lewis here on the FB blog, and after our recent story in the Fall print issue about the revival of endpapers, we thought it was time to check back in with Lewis and see what she’s been up to. We also heard from Julie Farquhar, the production manager at the Folio Society who produced the 2017 limited-edition of H.P. Lovecraft’s The Call of Cthulhu and Other Weird Stories and which feature Lewis’ endpaper. Read all about how Lewis works her magic HERE.