Above: The first recorded purchase of Shakespeare’s Venus and Adonis, less than two months after it was entered in the Stationers’ Register. Richard Stonely, a government accountant, spent 12 pence on two books, Venus and Adonis and John Eliot’s The Survey, or Topographical Description of France, in addition to 10 shillings on food and 3 shillings, 12 pence on clothes.
This year, 90 documents relating to William Shakespeare’s life have been added to the register, mostly dealing with his baptism, burial, property records, and business transactions. Six of those documents hail from the Folger Shakespeare Library collection — the only American institution included — while the remaining 84 documents are in the United Kingdom’s Shakespeare Birthplace Trust, the National Archives, Worcestershire Archives and Archaeology Service, the College of Arms, the British Library, and London Metropolitan Archives.
The Shakespeare documents are accessible to anyone with internet access: they’ve all been scanned and uploaded to an online repository called “Shakespeare Documented,” launched on the 400th anniversary of the Bard’s death in 2016. With (appropriately) 400 items in its holdings, the site bills itself as “the largest and most authoritative resource for learning about primary sources that document the life and career of William Shakespeare.” This comprehensive portrait of the playwright offers hundreds of print and manuscript documents for in-depth examination, including contemporary accounts (and gossip), anthologies, literary criticism and diary entries–all providing testimony to how Shakespeare became a household name.
“The fact that these resources — supplied by a number of institutions — have been digitized and are widely available means that a vital part of the documentary record is able to speak to us from centuries past. If libraries are diary of humankind, this group of documents represents one of that story’s most exciting chapters,” said Folger Shakespeare Library Director Michael Witmore.
In an age where longevity of e-data is of increasing concern, to quote the Bard himself, “What’s past is prologue” (The Tempest, Act 2, Scene I). In other words, we cannot forget history’s lessons, or we are forever doomed to repeat them, and UNESCO’s initiative is a positive step in the right direction.