Change Comes to New Haven’s Antiquarian Book Scene

 

“I am eternally grateful that in the summer of 2000 Bill Reese offered me the opportunity to become an associate at the William Reese Company,” Aretakis said recently. “Over the next fourteen years, I learned from Bill every day. I am proud of the business I built over the past four and a half years [in California], and during that time I learned new skills as I developed a business on my own. I bring these skills, as well as all that I learned from Bill Reese, with me as I return to the Reese Company.”
Aretakis’s official start date was November 1, and he will be manning the Reese booth at the Boston Antiquarian Book Fair November 16-18.
“I am excited to be part of the team that will guide the William Reese Company into the future,” Aretakis said, “and continuing on in Bill’s tradition and adapting to the ever-changing environment of antiquarian bookselling.”
Meanwhile, longtime Reese associates Teri Osborn (a FB&C “Bright Young Bookseller” in 2011) and James McBride (a 2017 BYB) recently launched McBride Rare Books, also in New Haven.
“This certainly is an interesting and exciting time for us,” said McBride and Osborn. “Together, we have a combined experience of nearly two decades in rare books, including academia, librarianship, and the trade. With McBride Rare Books, we look forward to continuing our roles as trusted and valuable members of the antiquarian book trade, working closely with our clients and colleagues.” As they did at Reese, the pair plan to continue focusing on Americana and are making their inaugural appearance as freshly minted bookstore owners at the Boston Book, Print, and Ephemera show on November 17. “It’s a consistently great fair, and we’re very much looking forward to exhibiting.” And though McBride and Osborn have chosen to hang their shingle in New Haven for now, they plan to move to New York City in spring 2019.
As for thoughts concerning Aretakis’s move to Reese: “Nick will be a much-needed steady hand at the tiller,” team McBride said, “and we have no doubt that he will carry the business forward in the finest traditions of the firm.”

 

Many heartfelt congratulations to all in what appears to be a bright new chapter in the field of antiquarian bookselling.

Abigail’s Q&A with Children’s Picture-Book Creator Artie Knapp

Abigail speaks with children’s book author Artie Knapp about his latest book featuring a reluctant baby river otter.

Children’s picture-book author Artie Knapp has a knack for writing charming children’s books, and with the publication of  The Wasp and the Canary in 2006, Knapp found his life’s calling and now claims five children’s books and over forty published stories to his credit.
Last month, Ohio University Press published the Green Earth Book Award shortlist finalist’s latest book, Little Otter Learns to Swim ($15.95, 32 pages)a tale that follows a baby river otter as she learns how to navigate her environment. Unlike a baby otter at the Columbus Zoo where a baby otter was plunged into the water by its mother–sink or swim, as the saying goes–Knapp’s creature is guided by a far more understanding mama. Accompanied by sweet and charismatic illustrations by wildlife artist Guy Hobbs, the rhyming picture book is a lovely introduction to water habitats, conservation, and the importance of trying new things.
Abigail spoke recently with Knapp about Little Otter Learns to Swim and asked about his writing process, his favorite books, and how he overcomes the dreaded writer’s block.
otter
1. What inspired you to write this book? While watching my daughter learn to swim one afternoon, I wondered what animals have to be taught as well. So when we arrived back home, I began doing some research. I would have guessed that river otters know how to swim the moment they’re born, like some other animals do. But I was surprised to learn that river otters are taught to swim by their mothers when they’re one to three months old. That intrigued me and got me started with writing my story.

 
2. Do you always write about nature? I don’t always write about nature specifically, but nature is something that I am passionate about. I did write the picture book Living Green: A Turtle’s Quest for a Cleaner Planet. Animals are usually the main characters in my stories. I care about the well-being of animals, so I suppose that’s why I use them in my writing so frequently.

3. Are all of your books written in rhyme? Little Otter Learns to Swim is my first book written in rhyme. I have however had children’s poems published in publications such as Humpy Dumpty’s Magazine, and in Oxford University Press course-books.

 
4. Do you always work with the same illustrator? If not, do you have a choice in who illustrates your book? I don’t always work with the same illustrator, and it’s ultimately the publisher who decides who will illustrate the book. I have been very fortunate with the illustrators who have illustrated my stories.

 

5. Is your favorite animal an otter? If not, what is? I like river otters a lot, but if I had to pick a favorite animal, it would be my cat, Bella. Her nickname is Bell-Girl. She is often sitting on my desk as I write my stories.

 
6. How do you know when the story is just right? Do you read it out loud? I do read my stories aloud. As I have progressed in my career, I’ve learned to set my work aside when I think it’s done. Then after a couple of weeks, I’ll reread my story to see if I still like it. A fresh set of eyes after some time has passed has helped to make my work better. If it still reads the same to me after coming back to it, then I usually feel that the story is right. Other times I’ll come back to a story after a break and make changes. Then I’ll set it aside again and come back to it until I feel that it’s where I want it to be.

 
7. Do you visit schools or libraries? I have visited both schools and libraries, but mostly schools. It’s a lot of fun doing author visits. I enjoy speaking with students, and they inspire me to keep writing.  

8. When did you know you wanted to be a children’s book author?  I originally started out writing science-fiction stories. Randomly, I wrote a children’s story titled The Wasp and the Canary. That story along with another one I wrote titled The Hummingbird Who Chewed Bubblegum were published simultaneously on a popular site called Candlelightstories.com. Getting published is a great feeling for an author. Those two stories getting published encouraged me to write another children’s story. After writing my third children’s story Sprinting Spencer Still Wants to Run, I felt that I was onto something. From there, I began to write children’s stories frequently and now cannot imagine not writing stories for kids.

9. What kind of books did you read growing up? I didn’t read as much as I should have growing up. I was always outside playing and watched a lot of T.V. I did enjoy comic books and read a lot of classic picture books stories. The Hardy Boys series are the first books that I remember finding hard to put down.

 
10. What are your favorite children’s books? I enjoy stories that don’t necessarily have a defined ending, but make you the reader left to ponder what happened. My favorite picture book creators are Peter Brown, Don Freeman, Kevin Henkes, Robert McCloskey, Chris Van Allsburg, and Maurice Sendak. Where the Wild Things Are by the late Maurice Sendak is my all-time favorite picture book.
 
11. What do you do when you’re having a hard time writing or coming up with an idea? I like to take walks. I enjoy the exercise and the fresh air helps too. I also enjoy listening to music. Music often helps me to get back into the zone of being creative. 

Raptis Rare Books Employing DNA Technology to Authenticate Books

Stealing rare books just got harder. Booksellers have always had to contend with warding off book thieves hungry for valuable volumes. As part of its ongoing efforts to deter book crime, Raptis Rare Books in Palm Beach, Florida, is employing a new piece of technology called synthetic DNA.

According to the product’s creator, UK-based SelectaDNA, so-called “synthetic DNA” can help fight inventory loss and theft and has been employed in casinos, hospitals, banks, museums, and other institutions worldwide for over a decade to identify and protect valuables. Earlier this month, Raptis became the first bookseller in the United States to incorporate synthetic DNA for authentication and inventory management.

 

“Think of each unit of synthetic DNA as a high-tech fingerprint,” explained SelectaDNA vice president Joe Maltese. “Each application of Synthetic DNA generates a unique code, providing clients with the ability to identify and recover lost or stolen rare books. Raptis is using the technology to demonstrate their rare books have been authenticated and sold by them.”

 

For book collectors worried this serum might mar their treasures, fear not: the non-toxic, water-based serum is invisible to the naked eye. Applied to a book, the serum can last up to five years and has a lifespan of 4 to 6 weeks on skin–helpful to pinpoint a thief who has been inadvertently misted with a special spray, also sold as part of an alarm system by SelectaDNA. The company says their product reduces theft by 83 percent when incorporated into such an alarm system. If triggered by a burglar, the system releases a mist containing a unique DNA code and UV tracer. Shining an ultraviolet light on the suspect will reveal whether he or she purloined the goods in question.

 

Raptis is using the DNA Asset Marking System which is applied to books with a special stamp; the images below show Raptis is using a stamp in the shape of an “R.”

 

Photo #1.jpg

 

 

Photo #2.jpg

 

“Raptis Rare Books takes extraordinary measures to ensure authenticity of its collection of literary treasures,” said Raptis founder Matthew Raptis. “The use of SelectaDNA is an excellent complement to our rigorous authentication protocols,” he continued. “It provides our clients with added confidence in purchasing these rare literary gems.”
Images, from top: Matthew Raptis, owner and founder of Raptis Rare Books, alongside Shakespeare’s Fourth Folio, valued at $100,000. Book marked with synthetic DNA solution without use of ultraviolet light. Book marked with synthetic DNA solution and fluorescing from use of ultraviolet light. Used with permission from SelectaDNA.

 

This story first appeared on the Fine Books Blog on Friday, October 26, 2018.

Little Women at 150: Louisa May Alcott’s famous novel never gets old

My story on the 150th anniversary of Little Women is the June e-feature at Fine Books and Collections

Source: Literary Anniversary – Fine Books and Collections

New for 2019: Booklyn Art Fair and a New Location

In a positive sign of the times, we’re pleased to report the forthcoming arrival of another new book arts fair. Booklyn, that beloved Brooklyn institution dedicated to promoting book artists, printers, and other bibliocentric pursuits, is getting into the book fair business. In September 2019, Booklyn will be joining forces with the New York City Book and Ephemera Fair, also affectionately known as the Satellite Fair that takes place the same weekend as the annual New York Antiquarian Book Fair, and they’ve put out a call for exhibitors. Here are the specifics:

 

Booklyn has forty tables available to exhibitors for the duration of the two-day show at the bargain price of $400 each, limit four tables per artist, group, organization, or press. Contact mweber@booklyn.org to reserve a table before the September 1 deadline. The Fair itself will take place Saturday, March 9, 2019, 8:00 AM to 4:00 PM, and Sunday, March 10, 2019, 9:00 AM to 3:00 PM at Sheraton Central Park 811 7th Avenue New York, NY, 10019.

 

The theme for the 2019 fair is a bit of a mouthful, but certainly gets the point across: “Resistance and Resonance, how have the recent Art Build, Me Too, March for Our Lives, Black Lives Matter, BDS, Immigrants’ Rights, Gender Justice, and Standing Rock direct action movements affected the field of creative publishing?” Participants are invited to submit a proposal for a presentation based on that theme.

 

Bookyln organizers hope this new endeavor will provide participants the opportunity to meet new audiences and collectors in Manhattan.

 

In addition to launching a new fair, Booklyn’s in some new digs: the organization recently moved to a location in the Artbuilt Brooklyn center located in the Brooklyn Army Terminal (Building B-7G) and will reopen to the public in July with a welcoming exhibition, workshops, and lectures. The telephone number remains (718) 383-9621.

The Salon International du Livre Rare in Paris this Weekend

**This story first ran on the Fine Books & Collections Blog on April 13th.

Paris, tu es ma gaieté, Paris…
Spring in Paris–is there anything better? Doubtful. The icing on the cake? Today through April 15, the Grand Palais hosts the Salon International du Livre Rare et de l’Objet d’Art. This year the Salon is backed by France’s UNESCO commission and presented by president Emmanuel Macron. (To be determined whether he is greeted by hecklers as he was at February’s Agricultural Fair.) **Update: It appears Macron skipped the show.** The Salon has grown in scope and attendance over the past few years, and 20,000 visitors are expected to stroll the temple to Beaux-Arts architecture at the corners of General Eisenhower and Winston Churchill Avenues.

 

salon.JPG

This year’s special guests include the Institute for Contemporary Publishing Archives(IMEC) and the National Conservatory of Arts and Crafts (CNAM). IMEC specalizies in preserving archival collections at various publishing houses, while CNAM is a doctoral-degree granting program founded in the throes of the French Revolution. Both will be exhibiting materials culled from their respective archives.

 
Among the fifty participants at this year’s salon is Solstices (16 rue Pestalozzi, Paris), a rare books dealer specializing in architecture, political posters, Russian art, and surrealism. And Laurent Coulet will be showing a major Proust find.

 
Museum exhibitions, paper-making demonstrations, and book signings round out this delightful cabinet of curiosities, and with a ten-euro entry fee, the Salon is well worth the price of admission. (Bouquinistes, students, Friends of the Louvre, and LILA booksellers are admitted free.) Bonne foire to all!


Image: Salon catalogue via le Syndicat national de la Librairie Ancienne et Moderne (SLAM)

Quick Picks, Nor’Easter Edition

You can be excused for feeling a little apocalyptic if you happen to live on the East Coast, but once you’ve got the lights and heat back on, consider picking up one of the following books for you or the kids–they are all a welcome salve for these windswept times and reminders that love and compassion come in all shapes and sizes.

god

First up is National Book Critics Circle Award winner Louise Erdrich’s latest offering, Future Home of the Living God (Harper, $28.99), where evolution seems to be coming to a standstill: animals stop reproducing while others revert back to prehistoric proportions and children are born with disturbing abnormalities, leading to an increasingly fascist government regime where pregnant women are incarcerated. This is bad news for four-months-pregnant Cedar, the adopted daughter of loving parents and the protagonist of this cautionary tale. Cedar decides its time to meet her Ojibwe birth parents in Northern Minnesota, where she reconnects with her spiritual side. Told in diary form by Cedar, Future Home of the Living God touches on prescient, lightening-rod themes of reproductive rights, faith, and environmental disorder with equal parts verve and candor. Newbies to sci-fi would do well to start here.

marty

Meanwhile, offer the kids have something far less dystopian in nature, like Paul Griffin’s Saving Marty (Dial Books, $16.99). Here, lonely Lorenzo is looking for a friend, and finds one in Marty, a pig that thinks it’s a dog. Instant friendship ensues, and when Marty grows into a robust 350-pound porker, Lorenzo is ready and willing to do anything to save his best friend from being shipped away. Middle-grade fans of Griffin’s When Friendship Followed Me Home will find similar themes of compassion and friendship in Saving Marty.

Another book of porcine proportions is The True Adventures of Esther the Wonder Pig by Steve Jenkins, Derek Walter, and Caprice Cane (Little, Brown Books for Young Readers, $17.99), which shares the real-life story of Esther and her owners. In 2012, Steve and Derek adopted Esther and welcomed her to their animal sanctuary. Much like Marty in the previous book, Esther was destined for corpulent greatness–eventually tipping the scales at over 600 pounds. But Esther’s size was no match for Steve and Derek’s love and patience–rather than give Esther away, they moved to a country farm in 2014, founding the Happily Ever Esther Farm Sanctuary where they continue to care for all sorts of creatures. Young readers will snort with joy watching Esther grow from a tiny piglet into a massive pink hog. Corri Doerrfield’s lively illustrations are sweet and perfectly in tune with the text.