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Green Day

Mother Earth needs our help. Easier said than done, right? The challenges are enormous and it’s tempting to simply buy a reusable grocery bag and call it a day. But every little bit–including that reusable grocery bag–helps, and plenty of options exist to make the world a cleaner place. But where to start? According to Jen Gale in The Sustaninable(ish) Living Guide: Everything you need to know to make small changes that make a big difference (Green Tree, 296 $16), taking Draconian measures to “go green” aren’t necessary to make significant change. Gale knows, because she went to those extremes by undertaking an entire year without buying a single new item for her and her family, which she chronicled on her website. That experience, though difficult, revealed that she and her family (which included two young children) were capable of becoming more thoughtful consumers. But going whole hog isn’t for everyone, and this book grew out of a desire to permanently change her behavior without having to pull up stakes and move to Amish country.

Sustainable(ish) provides easy, achievable ideas on how to reduce consumption and help save the planet. Topics run to the usual suspects, like reducing food and plastic waste, as well as the more unexpected and thought-provoking, from an examination of the astounding amount of waste that goes into producing our clothes to how the most mundane of items, like markers and baby wipes, can be toxic for the planet.  Each chapter follows a similar pattern of laying out the statistics, providing Gale’s experience with the problem, and a series of suggestions for the reader to implement that become progressively more involved.

Engagingly optimistic, there is much here to help readers find their way to a cleaner, greener future, but financial stats provided in pounds and UK-based resources will leave many American readers wondering where to turn for further guidance, but that is easily remedied via a quick online search. Our choices matter, and Gale helps us take realistic action that will benefit the health of our planet and the next generation–in other words, this is the earth-friendly guidebook for all of us.

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Pippi Longstocking Slated for Big Screen Return

 

Courtesy of Penguin Random House

 

Just in time to celebrate Pippi Longstocking’s 75th anniversary in 2020, French film company StudioCanal and Britain’s Heyday Films are partnering up to produce a new adaptation of Astrid Lindgren’s (1907-2002) beloved children’s book series starring a plucky, red-haired Swede named Pippi.

The most recent big-screen adaptation of the Pippi books was back in 1988. Unfortunately, The New Adventures of Pippi Longstocking was a commercial flop, even though Lindgren’s books starting the World’s Strongest Girl have been translated into 77 languages with 65 million copies sold world-wide. Lindgren’s now famous tales evolved from bedtime stories told to her daughter Karin and are filled with adventure and excitement.

Perhaps this version will fare better than the 1988 film. Harry Potter and Paddington producer David Heyman will be at the helm this time around, and he has been working closely with Nils Nyman, Astrid Lindgren’s grandchild and CEO of Astrid Lindgren Films.

In a statement, Heyman said, “I am thrilled to collaborate with Thomas Gustafsson, Olle Nyman and their team at the Astrid Lindgren Company and our partners at Studiocanal on this film adaptation of the brilliant and timeless Pippi Longstocking. Pippi has endured and inspired families everywhere through her life force, strength of character and her irrepressible joie de vivre. Astrid Lindgren’s books have been translated around the globe for many years – a testament to her vision which we are determined to honor with a new film.”

No word yet on the film’s cast, crew, or release date.

Coincidentally, a new edition of the book, featuring the original illustrations by Ingrid Vang Nyman, is due out from Puffin Books in April.

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Anne Bronte’s Long-Overlooked Novel Gets Folio Treatment

As the youngest Bronte sister, Anne (1820-1849) was hardly a wallflower, but she is perhaps the least known. In her twenty-nine years she managed to compose poetry and two novels before succumbing to pulmonary tuberculosis. Her last novel, The Tenant of Wildfell Hall, published under the pseudonym Acton Bell, was an instant success and sent shockwaves through Victorian society. The story centers on Helen Graham, a recent arrival to Wildfell whose mysterious background intrigues fellow tenant Gilbart Markham. Contemporary readers were scandalized by Bronte’s descriptions of alcoholism, domestic violence, and her unvarnished views on motherhood. In the introduction to the second edition, Bronte minced no words on her goals for Wildfell: 

“When we have to do with vice and vicious characters, I maintain it is better to depict them as they really are than as they would wish to appear. To represent a bad thing in its least offensive light, is doubtless the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of life to the young and thoughtless traveller, or to cover them with branches and flowers? O Reader! if there were less of this delicate concealment of facts–this whispering ‘Peace, peace’, when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience.”

After her untimely death, Anne’s older sister Charlotte suppressed subsequent English editions of the novel, saying that it was not worthy of preservation and that Anne wasn’t in her right mind when she wrote Wildfell. The book was ultimately re-published in 1854, but was rife with errors and massive omissions, eventually earning the moniker of “the mutilated texts.”

To mark the 200th anniversary of Bronte’s birth, which was January 17th, the Folio Society has issued a new edition based on the first printing complete with edgy new illustrations by Valentina Catto and an introduction by Girl with a Pearl Earring author Tracy Chevalier. This edition of Wildfell Hall completes the Folio Society’s triptych of Bronte bestsellers, Jane Eyre and Wuthering Heights.

According to Chevalier, “Wildfell Hall is a different, wilder beast–perhaps too wild for its time.” Though radical and revolutionary for genteel 19th-century readers, The Tenant of Wildfell Hall will no doubt resonate with readers in 2020 and finally establish Anne Bronte as a literary equal to her sisters.

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Win the Holiday Gift-Giving Season with These Books from Folio Society

Know someone who loves great art and classic works of literature? Check out the Folio Society’s holiday offerings. Two in particular that we adore are the new editions of Alice in Wonderland and The Velveteen Rabbit. Be sure to check out Barbara’s interview with Alice illustrator Charles van Sandwyk over on the Fine Books Blog to get a sense of what it was like tackling a classic story like Alice. 

But if you are thinking of giving these as Christmas gifts, don’t wait: the ordering deadline for regular delivery is December 8th! (December 12th for expedited.)

Check out the great art for both books below!

Art Credits: Illustration © Charles van Sandwyk 2016 and 2019 from Lewis Carroll’s Alice in Wonderland, exclusively available from foliosociety.com

Illustration William Nicholson © Desmond Banks 1922, from Margery Williams’s The Velveteen Rabbit, exclusively available from foliosociety.com  

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Book News 11/26

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Here’s a quick look at what’s happening in the book world:

  • Variety reports that digital book subscription service Scribd raised $58 million from venture capital firm Spectrum Equity. Scribd’s website attracts 100 million visitors a month and claims a million subscribers.

  • A copy of The Art of the Deal with Trump’s signature and the inscription “future president” went for $1500 at auction this week. Alexander Historical Auctions handled the sale of the first edition volume which was accompanied by a typed letter of provenance from the original recipient.

  • Abby Richter profiled author-illustrator duo Brad Meltzer and Chris Eliopoulos about their books and recently launched series on PBS

  • A beloved Montclair, NJ bookstore gets compared to Narnia in The New York Times.

  • Calling all California book collectors: there’s a prize waiting for you, but the deadline is nigh. Read the requirements here.

 

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Calling All Young Book Collectors (Who Live in California)

California bibliophiles 35 and under: the Southern & Northern California Chapters of the Antiquarian Booksellers’ Association of America has announced its second annual Young Book Collector’s Prize for Golden State-based collectors. 

 

The first-place winner receives a gift certificate of $500 to spend at the 2020 California International Antiquarian Book Fair where the winner’s collection will be on display, a year’s membership to the Book Club of California, the Bibliographical Society of America, and a year’s subscription to both The Book Collector and Fine Books & Collections.

COURTESY OF MATTHEW WILLS

The inaugural first prize went to Matthew Wills of La Jolla, a PhD candidate in modern Chinese history at UC San Diego, whose collection centered on anti-Confucian propaganda during the founding years of the People’s Republic of China. “[As an] historian and bibliographer, I research the history of book publishing and propaganda in Chairman Mao’s China,” Wills said in a statement. “In particular, I study books that show the Communist state’s hostility to China’s Confucian traditions.” Will’s winning collection totaled over 700 items, with editions in different languages including Braille, and comic books. Nate Pedersen interviewed Wills for FB&C on the eve of his win last February.

Submissions must be received by December 1, 2019. More details are at the California Book Fair website.

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Brad Meltzer and Chris Eliopoulos Debut TV Series on PBS That’s Anything But “Ordinary”

The men who brought you the Ordinary People Change the World book series have created a TV show! Xavier Riddle and the Secret Museum premiered November 11, 2019. I spoke with author Brad Meltzer and illustrator Chris Eliopoulos about how they paired up, why they like writing and drawing, and what they hope kids will learn from the new series.

Chris and Brad share a love of comic books, and got closer with the power of Twitter. Brad proposed they write a series, and Chris was happy to help. They’ve written dozens of books in the Ordinary People series since 2014.

You might be a bit curious about the name of the new TV series: Xavier Riddle and the Secret Museum isn’t something you hear too often. As a kid, Brad always liked names with the letter X in them. Xavier is one of these rare few. He also loved riddles. Puzzling things out was a favorite activity of his. Hence the name, Xavier Riddle.

Brad was inspired to become a writer thanks to his ninth grade English teacher, Mrs. Spicer. She told him he could write. Brad was dubious — he didn’t expect to be a writer. However, when he wrote his first book, he visited his teacher’s classroom, thirty years later, and said to her, “My name is Brad Meltzer, and I wrote this book for you.” The teacher started crying. When he asked her why, she explained that she was planning on retiring that year, because she didn’t think she influenced anyone. Clearly, she was wrong.

I Am Marie Curie

Brad picks his subjects with a particular characteristic in mind: “I always chose a hero, not because they’re famous, but because their life provides a lesson that I can give my own kids, and, truthfully, that I need myself.” The hero’s childhood is what strikes Brad as the most interesting for young readers. When talking about his biography of Amelia Earhart, Brad said that, “I loved the idea that there was this little girl, and everyone said to her, ‘You’re never going to be successful. You’re never going to be able to do what you want to do.’ And she just didn’t care. She just kept plowing forward. She wouldn’t let anything stop her. That’s the lesson I want for my sons, it’s a lesson I want with my daughter.”

Now let’s talk about the illustrator. Chris always knew he was talented at art, especially as a kid. “If you’d asked me back then, ‘Would you rather go to Disneyland or would you rather sit and draw pictures?’ I’d rather draw,” he said. He grew up a shy child, and Chris drew pictures to tell other people what he was feeling. “I would give these drawings to my parents, and they would read these stories and go, ‘Oh, okay, now we know what’s going on in Chris’s life.’” As an adult, he decided that he wanted to be a children’s book illustrator.

Brad and Chris work closely when it comes to the book or television creating process, as Chris explained: “Brad writes a script, and then sends it to me, and we talk about it a little bit, and then I go off and I draw the whole book out in pencil, so that everybody can see it. We decide if something works or doesn’t work. He’ll suggest things, or I’ll throw things in. Once everybody’s in agreement, I go back and I fix the things that need fixing, and I ink it up in ink, and then I send it back again. And then they all decide what looks good, what looks bad, what needs to be fixed. And then I go back and fix it, and then I color the whole book and I send it back.”

I Am Walt Disney Cover

Sometimes, the people in the books have a say in how the book will look. During the creation of I Am Caring: A Little Book About Jane Goodall, for example, Jane read the book and made Chris go back and re-draw over ten pages because she was holding hands with wild animals in the pictures, and she didn’t find that appropriate for children. Chris told me that it was tiring to go back and redraw so many pages, but, in the end, the book did turn out to be better!

When I told Chris that his work seemed to resemble the Peanuts cartoons, he replied, “They’re my favorite thing in the whole wide world!” he explained why he adored them: “Peanuts was the biggest influence in my life. When I was a little kid, my uncle owned a remaindered book shop — basically where all the leftover books went. I used to take all of the Peanuts books–I still have them here in my studio–and I would just read them, cover to cover, all the time.” As he got older, Chris discovered Calvin and Hobbes, a popular cartoon by Bill Watterson about a boy and his tiger. Look at Chris’s drawings: big heads, tiny bodies, strange squished faces. The Peanuts cartoons look quite similar.

Xavier Riddle aims to teach kids the same message that the books do: that kids, no matter what, can be extraordinary. Brad said that making sure these stories are exciting is important to keep kids interested: “If you remind kids that these aren’t the stories of famous people, this is what we’re all capable of on our very best days, suddenly kids will look and go, ‘tell me more about that.’”

Abigail C. Richter is a fifth grader and lives with her parents and two basset hounds in New York. 

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Tourists Overwhelm Beatrix Potter’s Beloved Lake District

Last month, the Lake District National Park Authority (LDNPA) issued a statement declaring that off road vehicles would not be banned from the park, a move that has upset some locals who say dirtbikes and cars are ruining the countryside. 

**This article has been updated with new information.**

Named a UNESCO World Heritage site in 2017, the Lake District has welcomed a surge of visitors over the past twenty years, and not all sightseers have left the land as they found it: according to a recent report in The Guardian, off road vehicles, 4x4s, and dirtbikes are increasinglychewing up the delicate lands forged in the last Ice Age, damaging dirt roads and surrounding fields. Farmers complain that the roads are so poor that they cannot drive their equipment on them anymore.

The Lake District ‘s spokesperson Sarah Burrows said in a recent email that The Guardian’s article “is inaccurate and, as such, we wrote to the editor in response. We highlighted that the headline Lake District heritage at risk as thrill-seekers ‘chew up’ idyllic trails is misleading and inflammatory, furthermore, parts of the article itself are factually incorrect. The two public roads are open to all users and make up just 0.09 per cent of our rights of way network, so to infer that this is a Lake District-wide ‘problem’ is misleading. Indeed, the overwhelming majority of people enjoying the national park’s 3,280km of trails are highly unlikely to encounter recreational motorists on these routes.”

Lake District residents say the tension between meeting the wants of tourists while preserving the bucolic landscape is at least a decade in the making. In 2006, the LDNPA posted the now-ubiquitous red and white “hierarchy of trails” guides, notifying visitors of proper road etiquette, however local groups say these signs have only encouraged thrill-seekers to take their ATVs off roading. Members of the Save the Lake District Group say that vehicles using these roads have leapt from 90 a month in 2008 to over 400 in 2017. Burrows, meanwhile, provided usage data on the LDNPA website saying that tracking motorized vehicles on the roads has been historically spotty and that the numbers quoted by Save the Lake District “may not be very reliable.” The LDNPA report goes on to state that it has noticed a decrease on vehicular traffic on those roads that have been repaired.

The roads bearing the brunt of these adventure seekers are High Tilberthwaite and High Oxenfell. Part of the appeal lies in these roads’ proximity to Potter’s farm, which she purchased in 1929 and is now part of the National Trust. Meanwhile, the LDNPA maintains that the Lake District trails have historically been a mix of dirt, asphalt, and stone, and that recent severe weather has deteriorated the roads that now require repair. Paving these highly trafficked roads would keep motorists from destroying the surrounding area, and the LDNPA posted before and after images of repaired roads on its website, where some of the “before” roads look downright impassable, but Save the Lake District maintains that these pictures aren’t telling the whole story.

Earlier this month, LDNPA committee members voted not to ban ATVs from trails despite a recommendation from the International Council on Monuments and Sites suggesting that banning these vehicles would drastically improve the quality of the trails and preserve the beauty of the area. The latest vote has lead to frustrated protests and angry outbursts from locals, who fear that this is only another step towards stripping the Lake District of its charm and turning it into a roadside attraction.

Burrows counters that the LDNPA is trying to meet the needs of all park users. “As a national park representing everyone’s right to enjoyment, the decision to restrict anyone’s right to use these roads must not be taken lightly. In line with government guidance, legal intervention through a TRO (Traffic Regulation Order) is a last resort and we should explore other management options first. We completed a comprehensive evidence gathering exercise and the findings were presented to our Rights of Way Committee on 8 October where Members decided on the future management of these roads and whether or not a TRO is required.

“The decisions we have to take are often complex, but we do this in an open and transparent way so that everyone can see in detail what the perceived issues are, how we’ve gathered our evidence, and how we’ve come to the reasoning behind our recommendation to committee,” Burrows wrote. The committee’s findings can be read here. 

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Jennifer Morla’s Career-Spanning, Kickstarter-funded Autobiography Makes a Splash

Entitled, fittingly, Morla: Design, this Kickstarter-funded memoir explores the career of Jennifer Morla her creative process, design philosophy, and provides behind-the-scenes stories about various high profile projects like her campaigns for Swatch, Levi’s, and Nordstrom.

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Reproduced with permission from Letterform Archives.

Though an autobiography, Morla is a designer, and so it makes sense that her story be draped in a style that speaks to her lively aesthetic. There’s neon bookmark ribbons, metallic inks, vacuum-formed, debossed white covers, and bold stripes that all manage to play well together.  In other words, the designer’s touch is visible on every inch of the book.

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Reproduced with permission from Letterform Archives.

Essays and insight fill the 400+ page volume, spanning Morla’s career and providing advice to design acolytes. Typohiles, meanwhile, have plenty to rejoice about: Morla explores twenty-six of her most beloved typefaces, from newer fonts to her “oldest typographic friends.” The designer waxes poetic over the sloping curves of the italic Garamond C to when she fell in love at first sight with Obsidian when it first appeared in 2015.
Earning over 300 accolades including the Cooper Hewitt award, the AIGA medal, and the Smithsonian Design Museum National Award, Morla’s work is found in the permanent collections of the Library of Congress and MOMA, and when not running her design firm, Morla teaches at the California College of the Arts. Her book is a vibrant reflection of a designer whose work combines type and image to express a range of concepts. “Design,” as Morla writes, “is understanding made visible.”
Morla: Design, by Jennifer Morla; Letterform Archive, $125, 432 pages. 
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Counting Crows…and Robins, Jays, and Chickadees

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Copyright 2019 Susan Richmond and Stephanie Coleman. Reproduced with permission from Peachtree.

Bird Count, by Susan Edwards Richmond, illustrated by Stephanie Fizer Coleman, Peachtree Publishers; $17.95, ages 4-8. October 2019.

Fall birdwatching is more challenging now that mating season is over–the bright plumage of some birds gives way to more muted tones–but scouting them out is excellent preparation for the annual Audubon Christmas Bird Count. In Susan Edward Richmond’s first children’s book, Bird Count, Ava, whose name is Latin for “like a bird,” is tasked with recording and identifying birds for the wintertime roundup.

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Copyright 2019 Susan Richmond and Stephanie Coleman. Reproduced with permission from Peachtree.

A bird can only be counted if at least two people confirm hearing or seeing it, so Ava must pay close attention with her eyes and ears. The singsongy text flies with ease from one page to the next, while young readers can keep abreast of Ava’s bird tally in the page margins. Stephanie Coleman’s deft illustrations of mallards, mergansers, and merlins prove the adage that practice makes perfect: last year she challenged herself to paint one bird a day for 100 days. (See the entire flock here.)

A joyous introduction to birdwatching while also fostering a love of the outdoors, Bird Count will delight fledgling ornithologists as well as wise old owls.