Perhaps you already kicked off the holiday season with an impressive Halloween yard display. Others of you may consider Thanksgiving the traditional start to a seemingly never-ending buffet of open houses and cocktail parties. With that in mind, I humbly submit a little literary hors d’oeuvre: the Fall 2017 edition of Kitchen Work, a new, print-only quarterly journal focusing on what and how we eat and drink.
Read all about this tasty new treat and where to find it on the Fine Books Blog.
Witchcraft Exhibition @Cornell @finebooks #Halloween #witches http://bit.ly/2zqww8R
Fittingly, a new exhibition on witchcraft opened on Halloween at Cornell University. Pulled from the university’s Witchcraft Collection, The World Bewitch’d spans five hundred years of witch-related material: trial documents, religious texts, spells, and even confessions explore a group of people, often women, marginalized and ostracized from society, with the core of the material hailing from Germany and France. The highlight of the show includes the first book on witchcraft ever printed, as well as handwritten transcripts from European witchcraft trials. Throughout history, witches were often portrayed as either ugly old hags or as alluring seductresses, and the show explores how that view has changed–or not–with the passage of time. Read more on the Fine Books Blog.
Massachusetts has an over two-hundred-year connection with the Rainbow State. Back in the early 1800s, missionaries sailed from Boston to Hawai’i, determined to convert the locals and also to bring the wonders of print to those distant shores. Along with religious fervor, the missionaries also brought a second-hand printing press, kickstarting an impressive outpouring of printed material in Hawai’i. Read all about it on the Fine Books Blog.
Left Bank Books is back, but without the brick and mortar setup. Erik DuRon and artist Jess Kuronen recently relaunched the Greenwich Village book hub as an online shop with a curated inventory of vintage, collectible and rare materials. Both worked briefly at the old Left Bank Books before it shuttered in 2016. They kindly answered a few questions recently about the relaunch and what it’s been like to transition to a digital bookstore.
Best of luck to the latest incarnation of Left Bank Books–be sure to visit their website here, and read my Q&A with the new owners on the Fine Books Blog.
In 2013, Au revoir là-haut (éditions Albin Michel) by Pierre Lamaitre appeared in French bookstores, a sweeping epic chronicling the lives of two surviving combattants of World War I that enthralled readers and critics alike. The book sold 490,000 copies in 2013, earning Lemaitre the prestigious Prix Goncourt and the Prix Femina. In 2015, it was turned into a graphic novel. (Non-French speakers interested in discovering the book will find it translated as The Great Swindle.) On October 25, the film version hits French theaters. If it’s anything like the book, it’ll be worth seeking out. Read more on the Fine Books Blog.
The Center for Book Arts (CBA) opens its latest exhibit this evening dedicated to the work of British artist and CBA faculty fellow Mark Cockram. “Beyond the Rules” includes examples of Cockram’s creative bookbinding and book artistry. Plus, Nick Basbanes speaks on Saturday in Cambridge, Massachusetts, about Henry and Fanny Longfellow. Get all the details on the Fine Books Blog.
Paris remains a beacon of culture and sophistication and a week spent promenading along the city’s quais and quaint streets was balm for the soul. Among the many familiar sights were the bouquinistes, those riverside booksellers whose forest green stalls have been a fixture by the Seine since at least the 18th century. The tradition of traveling bookselling in Paris goes back even further; known as “libraries forain,” wandering booksellers plied their trade as early as the 1550s when they were accused of distributing Protestant propaganda during the Wars of Religion. Open-air bookstalls were banned in 1649, and meandering booksellers were chased out of the city by Louis V during the 1720s. The ill-fated Louis XVI tolerated their return in the 1750s, and by the time Napoleon I took power, the bouquinistes had reestablished their territory along the riverbank, where they’ve remained a fixture ever since.
Yet, the bouquinistes as we know them are in danger of turning into little more than trinket shops with matching roofs. Read all about it on the Fine Books Blog.