Joseph Elliott’s debut novel, The Good Hawk (Walker Books, 368 pages, $17.99) takes young-adult readers to a mythical, violent Scotland, where war and plague have ravaged the land and the only children of a local clan to evade capture by enemy combatants are a most unlikely trio who must beat the all sorts of death-defying odds to save their family. Featuring a heroine with Down’s Syndrome, Abby couldn’t put this book down, and neither will your kids. Here’s her take:
The men who brought you the Ordinary People Change the World book series have created a TV show! Xavier Riddle and the Secret Museum premiered November 11, 2019. I spoke with author Brad Meltzer and illustrator Chris Eliopoulos about how they paired up, why they like writing and drawing, and what they hope kids will learn from the new series.
Chris and Brad share a love of comic books, and got closer with the power of Twitter. Brad proposed they write a series, and Chris was happy to help. They’ve written dozens of books in the Ordinary People series since 2014.
You might be a bit curious about the name of the new TV series: Xavier Riddle and the Secret Museum isn’t something you hear too often. As a kid, Brad always liked names with the letter X in them. Xavier is one of these rare few. He also loved riddles. Puzzling things out was a favorite activity of his. Hence the name, Xavier Riddle.
Brad was inspired to become a writer thanks to his ninth grade English teacher, Mrs. Spicer. She told him he could write. Brad was dubious — he didn’t expect to be a writer. However, when he wrote his first book, he visited his teacher’s classroom, thirty years later, and said to her, “My name is Brad Meltzer, and I wrote this book for you.” The teacher started crying. When he asked her why, she explained that she was planning on retiring that year, because she didn’t think she influenced anyone. Clearly, she was wrong.
Brad picks his subjects with a particular characteristic in mind: “I always chose a hero, not because they’re famous, but because their life provides a lesson that I can give my own kids, and, truthfully, that I need myself.” The hero’s childhood is what strikes Brad as the most interesting for young readers. When talking about his biography of Amelia Earhart, Brad said that, “I loved the idea that there was this little girl, and everyone said to her, ‘You’re never going to be successful. You’re never going to be able to do what you want to do.’ And she just didn’t care. She just kept plowing forward. She wouldn’t let anything stop her. That’s the lesson I want for my sons, it’s a lesson I want with my daughter.”
Now let’s talk about the illustrator. Chris always knew he was talented at art, especially as a kid. “If you’d asked me back then, ‘Would you rather go to Disneyland or would you rather sit and draw pictures?’ I’d rather draw,” he said. He grew up a shy child, and Chris drew pictures to tell other people what he was feeling. “I would give these drawings to my parents, and they would read these stories and go, ‘Oh, okay, now we know what’s going on in Chris’s life.’” As an adult, he decided that he wanted to be a children’s book illustrator.
Brad and Chris work closely when it comes to the book or television creating process, as Chris explained: “Brad writes a script, and then sends it to me, and we talk about it a little bit, and then I go off and I draw the whole book out in pencil, so that everybody can see it. We decide if something works or doesn’t work. He’ll suggest things, or I’ll throw things in. Once everybody’s in agreement, I go back and I fix the things that need fixing, and I ink it up in ink, and then I send it back again. And then they all decide what looks good, what looks bad, what needs to be fixed. And then I go back and fix it, and then I color the whole book and I send it back.”
Sometimes, the people in the books have a say in how the book will look. During the creation of I Am Caring: A Little Book About Jane Goodall, for example, Jane read the book and made Chris go back and re-draw over ten pages because she was holding hands with wild animals in the pictures, and she didn’t find that appropriate for children. Chris told me that it was tiring to go back and redraw so many pages, but, in the end, the book did turn out to be better!
When I told Chris that his work seemed to resemble the Peanuts cartoons, he replied, “They’re my favorite thing in the whole wide world!” he explained why he adored them: “Peanuts was the biggest influence in my life. When I was a little kid, my uncle owned a remaindered book shop — basically where all the leftover books went. I used to take all of the Peanuts books–I still have them here in my studio–and I would just read them, cover to cover, all the time.” As he got older, Chris discovered Calvin and Hobbes, a popular cartoon by Bill Watterson about a boy and his tiger. Look at Chris’s drawings: big heads, tiny bodies, strange squished faces. The Peanuts cartoons look quite similar.
Xavier Riddle aims to teach kids the same message that the books do: that kids, no matter what, can be extraordinary. Brad said that making sure these stories are exciting is important to keep kids interested: “If you remind kids that these aren’t the stories of famous people, this is what we’re all capable of on our very best days, suddenly kids will look and go, ‘tell me more about that.’”
Abigail C. Richter is a fifth grader and lives with her parents and two basset hounds in New York.
Bird Count, by Susan Edwards Richmond, illustrated by Stephanie Fizer Coleman, Peachtree Publishers; $17.95, ages 4-8. October 2019.
Fall birdwatching is more challenging now that mating season is over–the bright plumage of some birds gives way to more muted tones–but scouting them out is excellent preparation for the annual Audubon Christmas Bird Count. In Susan Edward Richmond’s first children’s book, Bird Count, Ava, whose name is Latin for “like a bird,” is tasked with recording and identifying birds for the wintertime roundup.
A bird can only be counted if at least two people confirm hearing or seeing it, so Ava must pay close attention with her eyes and ears. The singsongy text flies with ease from one page to the next, while young readers can keep abreast of Ava’s bird tally in the page margins. Stephanie Coleman’s deft illustrations of mallards, mergansers, and merlins prove the adage that practice makes perfect: last year she challenged herself to paint one bird a day for 100 days. (See the entire flock here.)
A joyous introduction to birdwatching while also fostering a love of the outdoors, Bird Count will delight fledgling ornithologists as well as wise old owls.
Rehabilitation and redemption are possible, and in the right homes, both animals and humans can forge lifelong bonds of love and friendship, as masterfully told in Artemis Fowl series author Eoin Colfer’s latest, The Dog Who Lost His Bark (Candlewick, $16.99, 144 pp, ages 7-10).
Here, we meet a young pup whose lot in life is filled with sadness; sold and boxed up as a surprise Christmas present, Dog is not an overnight success–he’s a puppy after all. Puppies need patience and love, both in short supply at his first home, and he is quickly cast aside, neglected and forgotten, until one day Dog is rolled into a sheet of flooring and tossed into the local trash heap. Dog is so traumatized that he loses his bark. But he winds up at a local shelter, where he’s discovered by a young boy named Patrick whose father is a musician on tour in Australia, and the child hopes a dog will fill the ache in his heart. Patrick is drawn to Dog’s sadness and makes it is mission to rehabilitate Dog, rechristened Oz in an attempt to summon Patrick’s father.
After much trial and error and unrelenting patience, Oz becomes every child’s dream of a pet. Then Patrick’s life is thrown into disarray, and now it’s time for Oz to rescue his boy. This canine adventure saga is classic children’s book fodder–right up there with Lassie, Come Home and Where the Red Fern Grows. Readers of all ages will be reaching for the tissues while avidly turning each page to see what happens next. Kate Greenaway medal winning illustrator P.J. Lynch’s (The Boy Who Fell Off the Mayflower; Lincoln and His Boys) soft pencil illustrations are an expert match for a text that is sure to become a household favorite.
The reading public has long been fascinated with anything having to do with Charlotte Brontë, the author of Jane Eyre and the source of untold spinoffs, movies, and commentary. In fact, Jane Eyre has never gone out of print and has been translated into nearly 60 languages.
Now from the Center for Cartoon Studies and Hyperion Books comes a book that explores the woman behind the classic in Charlotte Brontë before Jane Eyre (Hyperion, $17.99. September 24, 2019). Written and illustrated by cartoonist Glynnis Fawkes, the 112-page graphic novel takes middle-grade readers on a trip back to 1837, when young Charlotte faced unrelenting discouragement and setbacks on the path to literary success, all set to the brooding backdrop of the isolated parsonage the Brontë family called home.
Fawkes’ pen-and-ink illustrations are crisp and vivid, capturing in shades of black, white, and gray the oppressive and highly patriarchal world Brontë navigated. It’s a biography that examines Brontë’s formative years and the challenges she faced. Fawkes intersperses Brontë’s own words, where possible, to better express her personality.
Fellow cartoonist Alison Bechdel provides an introduction into why Jane Eyre remains as relevant today as it did when first published under the pen name “Currer Bell” in 1847. A postscript and panel discussions explaining Fawkes’ thought process behind certain illustrated panels rounds out the book.
Charlotte Brontë Before Jane Eyre is a fantastic introduction to one of Western literature’s most enduring authors. Tuck this one into your child’s backpack, there’s much here to inspire anyone apprehensive about heading back to school. And though most middle-grade readers may not be quite ready to pick up Jane Eyre, Fawkes’s biography will whet their appetite.
Yes, ’tis the season for frantic holiday shopping, unless you’re one of the rarefied people who check everyone off your list during those Christmas in July sales. If you’re more of a last-minute shopper, there’s still time to ace your gift-giving game this holiday season with a carefully selected title or two. Below, our top picks for the bibliophile in your life. Get ’em while the gettin’s good!
Originally published in 1877, Sewell’s bestselling tale championing fair treatment for working horses in Victorian-era England gets the sumptuous Folio treatment with lush, full color illustrations by Annette Hamley-Jenkins and an introduction by War Horse author Sir Michael Morpurgo. This edition of Black Beauty comes in a handsome blue slipcase printed with horses galloping across in silhouette. This is the gift that keeps on giving: a timeless story, beautifully presented.
Please note: Folio Society’s order deadlines to make Christmas delivery are December 8 for standard shipping and December 14 for express.
(Images copyright 2018 Annette Hamley-Jenkins and reproduced with permission from Folio Society. )
Charles Dickens’s A Christmas Carol: The Classic Novel with Recipes for Your Holiday Menu by: Giada de Laurentis, Ina Garten, Martha Stewart, and Trisha Yearwood; Puffin Plated, $25.00, 168 pages.
Is there any better combination than a good book and a good meal? Perhaps a frothy brew, but I digress. Puffin Plated, a new endeavor launched this fall by Penguin Random House, recently released A Christmas Carol by Charles Dickens, unabridged and accompanied by mouth-watering photographs (by Tisha Cherry and Vega Hernando) of fruitcakes, gingerbread, and other holiday treats. Delectable recipes come courtesy of culinary giants like Ina Garten and Martha Stewart. (Looking for a non-denominational gift? Pride and Prejudice also got the Puffin Plated treatment and is filled with sugary sweet confections.)
(Images reproduced with permission from Penguin Random House.)
Picturing America: Thomas Cole and the Birth of American Art, by Hudson Talbott; Nancy Paulsen Books, 32 pages, ages 4-7.
“The painter of American scenery has, indeed, privileges superior to any other. All nature here is new to art,” wrote Thomas Cole (1801-1848), the father of the Hudson River School of painting and the patriarch of the young country’s first art movement. Here, author-illustrator Hudson Talbott introduces readers to a man who was at once an immigrant, an artist, and an environmentalist by weaving elements from some of Cole’s most iconic paintings into the book. A perfect gift for budding naturalists with an artistic streak.
(Images copyright 2018 Hudson Talbott and reproduced with permission from Penguin Random House.)
Hansel & Gretel, by Bethan Woolvin; Peachtree Publishers, $16.95, 32 pages, ages 4-8.
Bethan Woollvin is back with another twisted fairy tale. Now, the author of Little Red and Rapunzel has concocted a revision of the Grimm brother’s classic story of two siblings forced to outsmart a cannibalistic old witch. As in her previous adaptations, Woollvin’s Hansel & Gretel takes a surprise turn, with Hansel and Gretel as sassy brats and the witch (named Willow) cast in a more benevolent role. To be enjoyed fireside with a heaping plateful of tasty gingerbread cookies.
(Images copyright 2018 Bethan Woollvin. Reproduced with permission from Peachtree Publishers.)
All is Merry and Bright, by Jeffrey Burton, illustrated by Don Clark; Little Simon, $24.99, 26 pages, ages 0-4.
Get the littlest revelers into the holiday spirit by offering them this oversize board book by Jeffrey Burton and Don Clark. The retro volume, complete with sparkly foil and embossing on every page is a joyous celebration of Christmas. Sensory overload in the best sense awaits the tiny tots who find this book tucked under their tree this year.
(Text copyright 2018 Jeffrey Burton. Illustrations copyright 2018 Don Clark. Reproduced with permission from Simon & Schuster.)