Clowning Around with Elisabeth Helland Larsen

In December we reviewed Elisabeth Helland Larsen’s poignant examination of mortality in Life and I: A Story About DeathLarsen kindly answered a few of our questions about her work as a children’s book author and visiting hospital clown to children in critical care units and in refugee camps. (No creepy clowns here!) Larsen lives in Oslo, Norway, and answered our questions through a series of email exchanges at the dawn of January 2017.

LFS: Can you tell me about the I Am series? [Life and I is one in a trilogy of books on the subject.] What prompted you to take on these topics? 

EHL: This series is a result of my meetings with children and youth in various states of emergency over the past twenty years, and I’ve combined my own mix of fantasy and playfulness. For a very long time I’ve circled around the themes of death, life, and clowning. Nearly everything in my life deals with these topics. My aim is not to give any answers but to create conversations, reflections, or visual experiences. I believe the Norwegian publishing house Magikon and all the other countries that have translated the books are quite brave in taking on such a subject. These books wouldn’t be what they are without the talented illustrator Marine Schneider.

LFS: How did you get started as a clown? Do you work with a group?

EHL: I started with theater and clowning when I was very young because it gave me the freedom to do everything I wanted: meet people, travel around the world, and encounter different cultures. Playing, juggling, acrobatics, dancing, drawing–these are universal activities that each culture gives their own slant. After completing theater school in Paris, I became more and more involved in clowning in hospitals and refugee camps. Now I’m part of a group of hospital clowns in Norway called All Noses and I visit refugee kids as often as I can.

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LFS: How do children react when they meet you in clown costume?

EHL: The red nose is like a universal passport into all cultures. It is incredible how laughter and playing can unite us despite different circumstances. The power of love, humor, and playing can help children survive overwhelming odds. Laughter keeps us afloat when life gets tough. I am so amazed to see the power to overcome in every single human being. I’ve only had positive reactions to me in clown character.

LFS: How do you prepare for a clown show? 

EHL: These days I work in hospitals and I also tour a lot to promote my books, which I present through different kinds of performances than the ones I prepare for children in hospitals. I love to meet children and talk about books and big themes, especially taboo themes. Children are open to honest discussion about tough issues, but we need to be willing to have those conversations.

LFS: Where do you find inspiration for your books? 

EHL: As humans we all have hundreds of stories inside our hearts, minds and bodies. Some of us feel the urge and need to write them on paper or transform them into art.

LFS: Has writing grown out of your work as a clown? 

EHL: Writing has always been a important part off my life but in 2011 I became more serious about it after finishing a training program on writing children books at Norsk Barnebokinstitutt [the Norwegian Institute for Children’s Books].

LFS: What else would you like to tell me about your work?

EHL: I think that adults are duty-bound to encourage children to realize that life in today’s world can have meaning, but they need our guidance. I do what I can with my artistic tools, but we all have a responsibility to teach those who will one day lead the world.

Top photo by Christine Crüger. Reproduced with permission from the publisher.

Hawaii’s Written History of Karate Preserved – The Fine Books Blog

Hawaii’s Written History of Karate Preserved

Cover for Kobudo kenpo, karate katsuyo zukai setsumei goshin-jutsu (1952). Reproduced with permission from the Hawaii Karate Museum Collection, the University of Hawaii at Manoa Library.

Source: Hawaii’s Written History of Karate Preserved – The Fine Books Blog

Reading French Books

Whether in digital or print format, procuring classic French literature like Candide and Les Misérables is relatively easy, but for the ravenous bibliophile (or recovering French lit major), finding titles by great modern French and Francophone authors poses a surprising set challenges. A little savoir faire makes those obstacles surmountable.

Recently published French books (and other international titles) can be hard to come by in the U.S.; while they’re often available on e-commerce sites like Amazon.fr or Fnac.com (the Gallic version of Target), shipping fees can sometimes cost more than the book itself.

Yet, stateside Francophiles need not wait until their next trip to France before loading up on coveted volumes. Many major metropolitan cities are home to independent bookstores catering to international tastes. East-coast outposts include Manhattan’s Albertine and Schoenhof’s Foreign Books in Cambridge, MA, while European Books and Media in Oakland, California is another great resource with a robust web presence. Newly released books may still be pricey, however, and others may not be readily available, but independent shops are wonderful for physical browsing and seeking out expert opinions. Some stores also host in-store book talks, signings, and foster an overall sense of joie de lire.

A budget-friendly option is to say bonjour to your local Alliance Française (AF),a global non-profit organization founded by Louis Pasteur and Jules Verne dedicated to promoting French language and culture. Many AF chapters host monthly book clubs based on fluency level, and while fees vary, roughly $120 dollars nets participants ten books and a monthly venue for discussion. I discovered my local chapter a few years ago, and in addition to reading the latest award-winning books, I’ve had the opportunity to discuss the material in French among other Francophiles. (Groups are moderated by AF instructors.)

Our book club’s theme this year is “le retour,” or “The Return,” and includes new and recently released books by Pierre Lemaitre, Lola Lafon, Russian-born Andrei Makine, and Leïla Slimani–all prizewinning and internationally acclaimed authors. Slimani’s Chanson Douce just received the prestigious Prix Goncourt in November, and the group moderators swapped out another title so that we could decide for ourselves whether Chanson Douce merited the award. (It does. The story is loosely based on the actual homicide of two Manhattan children at the hands of their nanny. Class divisions, race, and mental instability are deftly explored in this quietly ferocious tale.)

However you satisfy your Gallic booklust, Bonne lecture! 

Book News for the Week of December 19-23 – The Fine Books Blog

In case you’ve been too busy getting last-minute holiday errands done, here’s what you missed in the world of books this week over on the fine books blog:

Source: Book News for the Week of December 19-23 – The Fine Books Blog

Little Red

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Little Red text and art copyright Bethan Woollvin. Reproduced with permission from Peachtree Publishers

 

Little Red, by Bethan Woollvin; Peachtree Publishers, $16.95, 32 pages, ages 3-6.

Wolves remain popular subjects in picture books this year–check out our October write-up on the topic–and in this sly retelling of Little Red Riding Hood, the wolf cuts a mean figure. In debut picture-book creator Bethan Woollvin’s hands, however, the menacing wolf meets his match. Swathed in scarlet red from head to toe, Little Red is nobody’s fool, and when she crosses the wolf en route to her grandmother’s house, our plucky heroine knows right away what he’s planning to do, and won’t let him get away unpunished for it, either. A chance wolf encounter might scare some little girls away, “but not this little girl,” says the narrator. (This refrain is repeated throughout, highlighting Little Red’s steely composure.) Little Red follows the traditional storyline, but, as with any retelling, there’s a twist–take a wild guess who wields the axe in this version and comes home with a brand-new fur coat. (Grandma, sadly, never comes back.)

Bold graphic gouache illustrations rendered in black, white, red, and gray have a strong, slightly retro feel, and Little Red, with her unsmiling, unfazed demeanor would fit right into any Jon Klassen book.

An edgy re-examination of an already twisted fairy tale, Little Red shows that smart girls can take care of themselves.

Make Way for Ducklings!

Robert McCloskey’s classic turns 75 this year, and the Museum of Fine Arts, Boston is hosting a retrospective. Read more at the Fine Books & Collections Blog.

(Drawing for Make Way for Ducklings (“‘Look out!’ squawked Mrs. Mallard, all of a dither…”) by Robert McCloskey, 1941. Reproduced with permission from MFA Boston.)

Life and I: A Story About Death

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Image copyright 2016 Marine Schneider, text copyright 2016 Elisabeth Helland Larsen, reproduced with permission from Little Gestalten.
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Image copyright 2016 Marine Schneider, text copyright 2016 Elisabeth Helland Larsen, reproduced with permission from Little Gestalten.

 

Last week we explored Aimée de Jongh’s graphic novel that, among other things, grapples with the untimely death of a childhood friend. Certainly, Return of the Honey Buzzard is not for the under-14 set, but the review did prompt some readers to ask whether any new picture books for young children deal with death without being trite or too complex.

While Margery Williams’ The Velveteen Rabbit (1922) is a time-tested classic, a new picture book attempts a more didactic approach, and it works. Life and I: A Story About Death by Norwegian author Elisabeth Helland Larsen introduces a rosy-cheeked girl named Death who rides her pink bicycle en route to all living creatures. Young, old, animals, plants, even the unborn and the reluctant eventually meet her. Though the thought of Death’s arrival may seem frightening, Larsen makes sense of the inevitable: “If I were to disappear, who would make way for all yet to be born,” Death wonders. (Rosie Hedger’s seamless translation from the Norwegian is a tour de force.) Life, Death’s sister, also appears in the book, making the case that one cannot exist without the other.

Families in mourning will find Life and I quietly reassuring when trying to explain why living beings expire. Marine Schneider’s pencil illustrations are delicate yet surprisingly firm–Death may be imagined as a little girl, but she is unwavering.

(Originally published by Magikon Forlag as Jeg er Døden .)

Life and I: A Story About Death, by Elisabeth Helland Larsen, illustrated by Marine Schneider, translated by Rosie Hedger; Little Gestalten, $19.95, 48 pages, ages 4 +.

The Return of the Honey Buzzard

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Images copyright 2016 Aimee de Jongh. Reproduced with permission from Self Made Hero.

The Return of the Honey Buzzard, by Aimée de Jongh; Self-Made Hero, $22.95, 160 pages, ages 14 and up. 

We may have entered the holiday season, but some people find this time of year  downright depressing, and children (especially teenagers) can be as vulnerable as adults to downshifts in mood. To soothe wayward souls, Aimée de Jongh’s debut graphic novel poignantly deals with bullying, death, grief, and finding hope in the aftermath of trauma.

Simon is a third-generation bookstore owner forced to sell his shop during an economic downturn, and driving home one day he witnesses a suicide. While processing his emotions, memories from Simon’s childhood come surging forth, and through conversations with a mysterious girl named Regina, Simon’s long-repressed guilt over a friend’s death takes over all his thoughts. Did he ever process his friend’s untimely demise? Why does Simon blame himself for what happened to his friend? Why can’t he let these feelings go? de Jongh’s stark pen and ink illustrations are appropriate counterpoints to the difficult topics she explores. A deceptively quick read, some teenage readers may get tripped up by the author’s discussion of magic realism, but the illustrations do a good job of merging the protagonist’s daily life with allegorical elements.

Return of the Honey-Buzzard explores gun violence and suicide, and includes some strong language, but is a sensitive and powerful selection for teenage readers who themselves may be in crisis. It is also a reminder that actions have consequences–for better and for worse. But we have to face our choices, no matter how painful, in order to make progress. As Simon says in the text, “Sometimes you have to make a fresh start to survive.”

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Images copyright 2016 Aimee de Jongh. Reproduced with permission from Self Made Hero.

 

Holiday Gift Guide

It’s gift-giving season, and there’s not a moment to lose! We present a rundown of the year’s best gifts for children from 1 to 92.

The Nursery Rhyme Book, by Andrew Lang; The Folio Society, $59.95, 280 pages, all ages. 

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Acclaimed Scottish folklorist Andrew Lang (1844-1912) scoured the world of children’s literature to compile volumes of stories, and this charming, thematically-organized collection of over 300 nursery rhymes includes well-known ditties like “Hickory, Dickory, Dock” and “Jack and Jill,” as well as lesser-known rhymes like “Ring the Bell” and “Old Betty Blue.”  Introduced by award-winning children’s book author Michael Rosen and accompanied by over 100 black and white illustrations by L. Leslie Brooke and six color paintings by Debra McFarlane, The Nursery Rhyme Book is a beautiful gift fit to stand the test of time.

*N.B.:Folio titles are only available through the Folio Society. Order early to ensure on-time holiday delivery.

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The Nursery Rhyme Book by Andrew Lang. Illustrated by Debra McFarlane and L. Leslie Brooke. Copyright 2016 Debra McFarlane. Reproduced with permission from The Folio Society.

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The Christmas Story.  Copyright 2016 by Robert Sabuda. Reproduced by permission of Candlewick Press, Somerville, MA.

The Christmas Story, by Robert Sabuda; Candlewick Press, $35.00, 12 pages, all ages.

The birth story of Christ is told in six deceptively simple pop-ups rendered in stark white and gold, and though this book is delicate–the manger scene is a remarkable feat of construction–The Christmas Story would make a magnificent present to those celebrating the holiday. Sabuda gave Hanukah a similar treatment in 2011 when he and poet Michael Rosen explored the 2,000 year-old Festival of Lights.

The Christmas Boot, by Lisa Wheeler, illustrated by Jerry Pinkney; Dial Books, $17.99, 32 pages, ages 3-7.

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A version of this book was published ten years ago (same author and illustrator) and it’s been updated for 2016. Caldecott Medal winner Jerry Pinkney’s masterful illustrations are a perfect accompaniment to Wheeler’s story about a lonely but warm-hearted woman whose generosity earns the admiration of a certain red-dressed sleigh driver.

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The Christmas Boot. Image Copyright 2016 Jerry Pinkney. Reproduced with permission from the publisher. 

The Complete Adventures of Curious George: 75th Anniversary Edition, by Margret and H.A. Rey; Houghton Mifflin Harcourt; $34.99, 432 pages, ages 2-8.

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At seventy-five, George is still a curious little monkey, and this banana-yellow hardbound volume with thick red spine will quickly settle into nightly bedtime rotation. In addition to the seven original tales, the book comes with a free audiobook code to listen to actor John Krasinski read the stories aloud. A lovely gift for adventurous grandchildren everywhere.

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Little One, by Jo Weaver. Copyright 2016 Jo Weaver. Reproduced with permission from the publisher.
BEAR THAT WAS
Little One, by Jo Weaver. Copyright 2016 Jo Weaver. Reproduced with permission from the publisher.

Little One, by Jo Weaver; Peachtree Publishers, $16.95, 32 pages, ages 2-6. 

Debut picture book author-illustrator Jo Weaver hits it out of the park with this lovely examination of the pull between a mother’s love and a child’s need to develop independence. Simple, singing text accompanied by Weaver’s soft black and white pencil illustrations highlight the beauty in nature and in family bonds. A perfect read-aloud while snuggling on a cold winter’s night.

Lego Pop-Up: A Journey Through the LEGO Universe, by Matthew Reinhart; Scholastic, $29.99, 10 pages, ages 7-10. 

Paper engineer Matthew Reinhart takes readers on a tour through the LEGO galaxy in this bright and bold pop-up book. Castles, dinosaurs, and ninjas all leap from the pages accompanied by short bursts of text. A must for LEGO fans of all ages.

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Lego Pop-Up, copyright 2016 Matthew Reinhart. Reproduced with permission from Scholastic.

At Auction: Printing Plates from Rare First Edition of Alice in Wonderland – The Fine Books Blog

Source: At Auction: Printing Plates from Rare First Edition of Alice in Wonderland – The Fine Books Blog

Forty-nine original printing blocks for the first edition of Alice’s Adventures in Wonderland (London: R. Clay, Son, and Taylor for Macmillan and Co., 1865), and for the first edition of Through the Looking-Glass, and what Alice found there (London: R. Clay, Son, and Taylor for Macmillan and Co., 1871). Image courtesy of Christie’s.
Forty-nine original printing blocks for the first edition of Alice’s Adventures in Wonderland (London: R. Clay, Son, and Taylor for Macmillan and Co., 1865), and for the first edition of Through the Looking-Glass, and what Alice found there (London: R. Clay, Son, and Taylor for Macmillan and Co., 1871). Image courtesy of Christie’s.